《一切都会有的》是一部由蒋能杰执导，刘浩 / 刘斯博主演的一部纪录片类型的电影，特精心从网络上整理的一些观众的影评，希望对大家能有帮助。

　　《一切都会有的》影评(一)：公益纪录片《一切都会有的》内容简介

公益纪录片《一切都会有的》是蒋能杰导演继《矿民、马夫、尘肺病》后又一力作。

蒋能杰导演这次把镜头聚焦了又一“特殊”的“弱势”群体 --“心智障碍者”，蒋导团队用两年的时间，在北京一家公益机构直面追踪拍摄。片子真实地记录了一群“心智障碍者”“无法自控”的“日常生活”、“助理”工作的异常艰辛及付出的“超常”耐心和爱心，让心智障碍享有基本“人权”，和努力自主生活的故事。 　　这部纪录片集中展现“心智障碍者”刘浩先生、刘思博先生的“吃喝住行”和“喜怒哀乐”的“点点滴滴”：误会、生气、砸玻璃、炒菜、买可乐、拖地、荡秋千、听音乐、乘车回家、......。 　　对弱势人群、特殊群体的人文关怀是社会文明、进步的标志！完善特殊人群监护制度，是国家和政府的义不容辞的责任；希望社会给予庞大的心智障碍群体，应有的“理解”、“尊重”和“关怀”。 　　阳光、快乐、幸福、希望.....一切都将会有的。愿“孤独的野花”融入大海、在同一片蓝天下快乐生活，不再孤独。

　　《一切都会有的》影评(二)：本片主题曲《野花》特别有意思!

片尾曲： 《野花》 歌词

听 是大海的声音

Listen, it’s the whisper of the sea. 它说它很蓝 很辽阔

It is blue and vast as it tells me. 听 是风在说话

Listen to the words of the wind. 它说飞翔吧 天空多美啊 Fly high up in the beautiful sky it encourages me. 我是一朵无名的野花

I am a wildflower without a name, 没有色彩斑斓的芬芳

without fragrance or the colors of the rainbow. 一朵无人想起的野花

I am a wildflower that no one remembers. 也想看看天空和海洋 To witness the sky and the sea is the dream of mine. 我不怕 风吹和雨打

Neither the violent wind nor the fierce rain, 因为更害怕每天的挣扎

scares me more than the daily struggle and the pain. 我知道 爱是遥远的童话

Love is a fairy tale from far, far away. 但我想去追逐她

Far, far away from me but I choose to chase. 我是一朵孤独的野花

I am a wildflower and there is only me. 在草丛中独自开放

There is only me blooming in the grass. 春天都来不及描绘的芳华

Blooming the vitality beyond the imagination of the spring. 但我想 但我想

Love is a fairy tale from far, far away. 但我想 但我想

Far, far away from me but Ichoose to chase.

　　《一切都会有的》影评(三)：公益纪录片《一切都会有的》内容简介

公益纪录片《一切都会有的》内容简介

An Introductin to Non-profit Documentary AllThere Will Be

公益纪录片《一切都会有的》是蒋能杰导演继《矿民、马夫、尘肺病》后又一力作。

蒋能杰导演这次把镜头聚焦了又一“特殊”的“弱势”群体 --“心智障碍者”，蒋导团队用两年的时间，在北京一家公益机构直面追踪拍摄。片子真实地记录了一群“心智障碍者”“无法自控”的“日常生活”、“助理”工作的异常艰辛及付出的“超常”耐心和爱心，让心智障碍享有基本“人权”，和努力自主生活的故事。 这部纪录片集中展现“心智障碍者”刘浩先生、刘思博先生的“吃喝住行”和“喜怒哀乐”的“点点滴滴”：误会、生气、砸玻璃、炒菜、买可乐、拖地、荡秋千、听音乐、乘车回家、......。 　　对弱势人群、特殊群体的人文关怀是社会文明、进步的标志！完善特殊人群监护制度，是国家和政府的义不容辞的责任；希望社会给予庞大的心智障碍群体，应有的“理解”、“尊重”和“关怀”。 　　阳光、快乐、幸福、希望.....一切都将会有的。愿“孤独的野花”融入大海、在同一片蓝天下快乐生活，不再孤独。

Nonprofit documentary All There Will Beis another work of director Jiang Nengjie after his Miners, Groom, Pneumoconiosis.

This time, Jiang and his team spent two years filming a group of people with mental disabilities, who are commonly considered special and vulnerable, in a nonprofit institution in Beijing. In Allthere will be, the audience will witness the uncontrollable daily life of the mentally disabled and the immeasurable efforts, extraordinary patience and love the assistants put into their work. This is a story of the mentally disabled obataining basic human rights and making efforts to live on their own.

The documentary focuses on the daily life and emotions of the mentally disabled patientsLiu Hao and Liu Sibo, including events such as misunderstanding others, getting mad, smashing the window, cooking, buying Coke, mopping the floor, swinging, listening to the music, taking a ride home, etc.

The humanistic care for disadvantaged groups and special groups is the symbol of social civilization and progress. It is the bounden duty of the government to improve the guardianship system for special groups. Jiang and his team hope that the society will provide the huge mentally disabled group with more understanding, respect and loving care.

Sunshine, joy, happiness, and hope, all there will be. May the “lonely wildflower” fit into the society and live happily without loneliness.

　　《一切都会有的》影评(四)：《公益影像创作，就是我讲话的一种方式》 — 关注心智障碍题材公益纪录片《一切都会有的》主创蒋能杰幕后谈 ！

《公益影像创作，是我自我表达的一种方式》

Making Non-profit Films as A Way to Express Myself

— 关注心智障碍题材公益纪录片《一切都会有的》主创蒋能杰幕后谈

— APostmortem of All There Will Beby Director Jiang Nengjie

每次有人介绍我时，我总喜欢补一句，我就是个拍片的。我拍的题材比较关注社会，关注的多是弱势群体、底层百姓，或者是一群发声比较困难的同胞。我用公益影像的方式去记录、传播、发声。

每次问我为什么从事这个，我都得想好久，就是喜欢而已。拍片就好比你喜欢一个人，爱上一个人，就是喜欢，就是爱，没那么多为什么。

2016年，我有幸入选“银杏伙伴”。我们有一个银杏海外考察项目，有一位伙伴叫冯璐，她是做关注心智障碍群体服务的，很巧，我们俩都参加了日本和澳洲的考察学习。我们一起去参观学习那边残障机构，还有感受那边的服务，城市建设对残障人士的照顾，深刻体会到他们对弱势群体的关照，特别是日本。当然，对待弱者的态度，是一个国家文明的标志。

我和冯璐在这两次考察很有感触，一路聊，一路感慨，聊着聊着，就聊出来合作。2018年底开机拍摄，前期陆续拍摄了近两年。后来又碰上疫情，不能出门，我开始对近两百小时的素材进行粗剪。疫情是一个时代感特别强的标志性事情，记录不容错过，边后期，边安排后续补拍。

拍摄过程中，有个小故事，让我印象深刻。一个心智障碍患者的母亲，带着自己的孩子去肯德基还是麦当劳买吃的，人比较多，在排队。这位“心青年”特别喜欢喝可乐，我们跟拍的机构管心智障碍患者统一称呼为“心青年”。这位“心青年”等不及了，拿起身边桌上的可乐就喝，接着就和可乐的主人发生了冲突。这位母亲发现时，赶紧过来道歉和解释，周围有些人避开，也有些在围观，但是没有一个人上来讲话。最后，这位顾客还是觉得自己被冒犯了，报警了，去了附近的派出所。我在想这位母亲，回家该是怎样的心情，以后再带自己儿子出门，得有多大的压力，得要多大的勇气。

给大家分享一个数据，根据第二次全国人口统计数据，中国目前各类残疾人口总数为８２９６万人，占全国人口总数６％左右。可能有人说，在我们生活中，比较难看到这个群体。这就取决于每个人对待这个群体的态度，你是不是对他们有歧视，有偏见，还是另眼相待，是否足够的包容，我们和这个社会是否给予他们更多的关照。

我不希望这个群体更多人把自己关闭在屋子里，我希望他们更多人走出来，享受阳光和自由，这也是我拍摄这个题材作品的一个很重要的愿望。

最后我想说的是，每个人都有一张嘴巴，除了给吃饭，就是给讲话的，公益影像创作就是我讲话的一种方式。我希望我的公益影像作品能增进人与人之间的了解和信任，能促进人与人之间，多一点了解，多一点尊重。

感谢为此片顺利出炉付出努力的每一位朋友。

Every time being introduced, I always like to add one more sentence – “I am just a film maker.”. Thesubjects I choose are often about the society, the vulnerable and the disadvantaged, or people whose voice are barely heard by the public. I make non-profit films to record, disseminate, and make their voices heard.

Every time somebody asked me why I chose to make non-profit films, I had to think about ir for a while. I just love making films. It’s just like falling in love with someone. This kind of love cannot be explained.

In 2016, I was honored to be selected as a “Ginkgo Partner”. We had a study project overseas. Another partner, Feng Lu, who focused on services for the mentally disabled and I both participated in the study tours in Japan and Australia. Wevisited institutions for the disabled, experienced their services and how the urban construction took care of the disabled, and deeply appreciated their care for the disadvantaged, especially in Japan. Of course, the attitude towards the vulnerable represents a nation’s degree of civilization.

Feng Lu and I were deeply touched during the study tours and talked a lot, which led to our cooperation. The shooting started at the end of 2018 and went on gradually for almost two years. Then came the outbreak of COVID-19 and the shootingteam couldn’t go out, so Istarted the rough cut of nearly two hundred hours of material. The pandemic is a landmark event which marks an era, so the recording of it seems momentous. I arranged the follow-up shootings while carrying on the post-production.

During the shooting, there was a short story that impressed me deeply. A mother took her mentally disabled son to KFC or McDonald’s to buy food. There was a big queue. The boy was a big fan of Coca Cola and couldn’t wait any longer. So, he took the coke from the table beside him and drank it, resulting in a conflict with the owner of the coke. His mother noticed it and hurried over to apologize and explain. Some people around kept away and some were watching, but no one came up to speak up for them. In the end, the customer still felt offended and called the police. I was thinking about how this mother would feel when going home, and how much pressure and courage she must overcome and have to take her son out next time.

According to the data of the 2ndnational population census, the total number of people with disabilities in China is 82.96 million, accounting for about 6% of the country’s total population. Some people may say that it is not common to see this group in our lives. As I see it, it depends on everyone's attitude towards this group, whether you discriminate against them or treat them differently, whether you give them sufficient tolerance, and whether the society cares more for them.

I don’t want more mentally disabled people to shut themselves in their rooms. I hope that more of them will come out and enjoy the sunshine and freedom. This is also an important aim for me to make films of this subject.

Last but not least, I want to say that everyone has a mouth, which is not only for eating, but also for speaking. To me, making non-profit films is a way to speak. I hope my works can enhance the understanding, respect and trust between people.

Thanks to every contributing member who make this film happen.

蒋能杰 于广州 2020-10-23

Jiang Nengjie, in Guangzhou,2020-10-23