《广告狂人 第六季》是一部由乔恩·哈姆 / 伊丽莎白·莫斯 / 文森特·卡塞瑟执导，剧情主演的一部美国类型的电影，文章吧小编精心整理的一些观众的观后感，希望对大家能有帮助。

　　《广告狂人 第六季》观后感(一)：广告狂人第6季观看笔记（仅作为个人笔记）

第3集
1.don peeped at his pregnant mother fucked by his uncle who run a whore house.a whore with a customer came through the hall way ,and called him a dirty little spy.
 the memory of living in the brothel haunted him and cause him the self -loathing feeling.
2.pete campbell,a little boy with a Manhattan dream,fooled around without guts to face the bloody face of cheating wife who was badly beaten by the cuckold.
3.don had a talk with meagan who just had a miscarriage." i just want whatever you want" this was an answer suitable for any situation.in fact,don didn't know what he want.shit!
4.a man sat outside the door with key in his hand,back against the wall.
In or out ,it is a problem.
第4集
1.everyone is scared in that room,girls crying in the lady's room ,man crying in the elevator.
2. the head of writers team offered a swinger pary at table
3.sisters with a boy at the back seat,two bad girls out in the town
4.you kiss people for money,you know who do that？
5.the real woman
-what do you do after i leave？ get down on your knee and pray for resolution？
-No,i pray for you.
-for me to come back？
-No, for you to find peace.
(She is the woman who really knows Don. A religious woman is so attractive.)
第5集
1.大事件——马丁路德金被刺杀
第6集
1.i don't think i ever wanted to be the man who loves children.-especially if you have a difficult childhood .you want to ,but you didn't.-fake the feeling-pretend to be excited -see them do sth-and feel that thefeeling you once pretend to have -it's like your heart is going to explode.
(一个无法感知世界的人说出的最感人的话，类同dexter)
2.he is so far away ,i think i am making the conversation.
第7集
1i need you,nothing else will do .
2.the exotic play of domination and submission: i want you to crawl on you hands and knees until you find my shoes.
3.it is easy to give up sth while you are ashamed.
4.don can not stand anyone close to him,while a woman come to him for comfort and warmth ,he treated her like a sex slave.
第8集
1.iam afraid of you-nothing else get through to you
2.history should not be forgotten.
第9集
1.that poor girl,she does not know that loving you is the worst way to get to you.(betty knows him)-let us just enjoy this moment.
2.two closed in front of her(peggy)
第10集
too old to be a hippy.
第11集
sally caught don having sex with sylva.sylva buried her face in bed with shame,punching the bed.
don received the gratitude from mitchell with unbearable guilt,sally bursted out ,saying"you make me sick." and rushing to bedroom.
第12集
1.tame the beast:bob
2.crazy night in the boarding school:sally
3.kill the love:peggy and ted
4.the pain of growing up:sally and don
第13集
1.tell the truth about his childhood:don
2.everyone wants to leave

　　《广告狂人 第六季》观后感(二)：Don的反英雄人设与复杂人格

Don资深爱无力患者。按传统价值观和安全感选择配偶，创伤心理选择情人。孤独源于他分裂的价值观。真正内心的富足，不仅来源于天生富足的金钱还有家庭氛围，这都和Don无关。Don能够在广告业做得那么出色，在于他能够挖掘出人潜意识的情感，引发出共鸣。而这项能力养成恰恰是让他变得那么敏感的童年

正像Boris Pasternak（1958）所说的：“只有蹩脚书里的人才分为两个阵营，互不往来。可在生活中，一切都交织在一起了。”我们经常能在经典作品中，发现一个角色身上同时包含着互相矛盾的特质，发现“卑鄙与伟大、恶毒与善良、仇恨与热爱是可以互不排斥地并存在同一颗心里的。”（Maugham, 1919）

　　《广告狂人 第六季》观后感(三)：无处可走 便要重头开始

第六季终于结束了。季末的Don，可谓中年危机的一次爆发。情人在败露后彻底崩了，女儿还偏偏撞见，这等羞惭事也亏得是Don能撑住。女儿在boarding school停学，自己本来想远走加州，又让給了ted。回来家，Megan对他的出尔反尔也是忍无可忍，估计这婚姻的分崩离析也不远了。I don't know Don. We don't have kids. 人家Megan都说的很明晰了，美剧又不是过日子，一般台词都是草灰蛇线，何况Mad Men编剧一直水准颇高。
这部剧播到第六年，Don为首的这群mad men,也从上升期到了鼎盛期，现在已然是强弩之末。对生活的激情早已耗尽，哪怕是对广告本身，也未必再如以往那么创意无限。不过多年经验积攒下来的老辣，倒比创意本身发挥的作用更大。看这一季合并之后的Don和Ted,Don阴谋阳谋一起，把Ted收拾了个服服帖帖。最后俩人因为心理处境的相似，反而惺惺相惜，也是Don愿意把去加州的机会拱手送给Ted的原因。Don到了此时，对对手就不再咄咄相逼了，能举重若轻抹掉威胁，又能在关键时刻伸手相帮，是精明老辣，反过来看，也是一种心灵救赎。
同样强弩之末的也是Ted. 他虽比Don小几岁，人看来也直接单纯得多，没有Don那种心里能藏事的本事，这次和Peggy的确是玩得太过火了。他一边强调是真爱，一边回家看到妻儿还是觉得以全局为重。Peggy就更是了，穿着性感洋装和丝袜故意甩脸给Ted看，没让我觉得可爱，反而有一种desperate的感觉。而最终在办公室里加班的落寞，更是有种清冷，前尘已了，怅然若失。
最后孑然一身的Don选择了带着孩子去回顾自己的过去。正视历史，等于重新定义现在。同样地，讨人厌的小背头peter，还有和得罪了女儿的Roger，都定格在和孩子一起的时刻。和孩子在一起，是不是暗示着他们已然没有多少未来可盼，或是暗示着他们都得重头再来，从能从目前这份迷惘里跳脱出来呢。看着Don长大的妓院残破不堪，门口却又坐一个小黑孩，仿佛看到不断闪回的那个穿背带裤脸色苍白的童年的Don。愿他能通过“过去”，搭上那辆开往未来的车，能reconnect to this world.

　　《广告狂人 第六季》观后感(四)：Don终于要重生了

每当BGM 响起，都能让人闭上眼，细细的回味。
每一季的最后一集都给人巨大的冲击，关上了一扇窗，又打一扇门。
Don从小在妓院里面长大，他妈是一个whore，而ta根本不知道自己的父亲是谁。这样的经历一方面扭曲了ta在性上的观念，不停地需要各种女人，释放欲望，如无节制的种马一般；另一方面，欲望特别性欲在其内心的灼烧，使得ta对于人性有人特别的洞察，能准确地发挖大众内心深处的隐秘的判断因素，从而成为一个牛逼的广告人。
在Don的少年时代中，除了从小在妓院中的经历之外，便以在农场被收养时光，随后的朝鲜战争（我们称抗美援朝）ta盗用了战友的名字，当了逃兵，这使得ta有了新的名字、新的身份和新的生活。
作为一个成功的广告人，必须和要过去的身份做一次彻底的告别，所以即使是ta相爱多年的妻子betty，依旧不知道他过往的故事；让别人不知道一件事情是容易的，而让自己忘记一些事情是很难的，妓院的经历与逃兵的事情如同两把铁锥戳在他的脊梁骨上，当Don孤独而迷茫地看着一切，只有无何止偷情和不知道疲惫的工作能让他feel better。尽管如何，ta依旧看重家庭的价值，前妻betty因为无法忍受ta对于身份多年的隐瞒以及出轨的事实，离开了ta。
Don之所有要隐瞒这些事实，表面上的原因是其事业和家庭将受到影响，可是对于一个才华横溢的广告人来说，ta在这个圈子里的地位完全是由ta 的无数个amazing的创意奠定的，对于广告主来说有创意就足够了，对于一个真正爱ta的女人来说，过去的就已经过去，爱便是谅解一切的原因与理解，前妻betty离开ta其实是她自己有婚外情。其实，真正使得他隐瞒的原因在于，他没有办法面对自己，没有办法面对自己是一个婊子养的，是一个逃兵的事实，这个事实虽然发生了，但Don从来没有办法接受，也没打算去面对，ta觉得这些事情是上帝无法原谅的。（这句话在Seanson6 13中借着牧师说了出来）
看着生活与工作中的Don，其实是叫人恨不起来的，他讨厌阴谋与诡计，不喜欢算计别人，工作中极为严苛，不能容忍丝毫的欺骗与应付，甚至为了几千块钱，逼死了自己的同事，对于那些自己身上隐藏着的缺陷，Don是绝不能容忍的，这样的不容忍对外就表现在对人的严苛上面。同时，ta对于每一个同事都略有温情，他是合伙人中唯一拒绝Joan用“身体”换订单。
最大的变化出现在ta的邻居女人偷情，被女儿撞见了……　父爱触发了ta内心的自责，下定决心要面对过去的自己，在好时巧克力的策划说明会上，当着所有人，讲述了之后在妓院长大的事情。
办公室里面，Don帮助了Ted，Ted却在背后捅了一刀；Peggy和Ted一起，干掉了自己的引路人Don；其它几位合伙人，开会将Don暂时开除出公司，这一幕无比残酷，Ted没有出现，其它几位中roger、Joan本应该是Don的朋友，可是他俩都似乎投了赞成票。
家庭中，Megen也暗示为了事业，可能要离婚。
事业、家庭都陷入深深的危机，此刻，Don似乎得到了女儿的宽恕。
告别过去，Don终于要重生了，underdog Don强势逆袭!

　　《广告狂人 第六季》观后感(五)：【613 Recap】‘If you wanna run, I’d do it now.’

MM 613 'In Care Of' Recap
The last episode of season 6 of Mad Men encapsulated runaway of all forms besides showing all the serious and casual commitments being made and broken.
‘If you wanna run, I’d do it now.’ - Pete
S6E13 wrapped up the whole season of the mad late 1960s showing the aftermath of being casual at decision-making whilst tagging the whole period as ‘not serious’.
‘Hershey’s isn’t serious’ about advertising. Teenages were not serious about drinking and law; men were not serious about their families and children; people were not serious about making promises. Don, the most notorious among all, breached work taboo and were considered not serious about clients and campaign presentations (Hershey’s, Sheraton, newspaper and tabacco, to name just a few). All they wanted was run.
Ted promised that he would leave his wife and escaped to Hawaii with Peg. Don told Megan they would move to L.A. and be happy again. Sally went to a boarding school to stay away from her always-occupied-and-couldn’t-pick-her-children mother and her ‘immoral’ dad. Even Pete’s mother ran away and got married with Manolo, both of whom ended up disappearing into thin air. Trudy said to Pete, who lost his mother, left his families and moved to the south, ‘You are free from everything.’
The men made decisions easily. To shoot two not one presidents, to start a war, to kill civil rights leader and innocent people on a foreign land. They were the decision-makers. And those who were being made the decisions were voiceless and vacant in the pictures.
‘You probably dictate the memo right to her and had no idea she’d be affected.’ - Stan
Stan’s remark was not just about Dawn, whose appearance and subplots in the whole season were disappointly scarce and had no punchline whatsoever, it also rang true for Peg and Ted.
Though I was for a moment believing that Ted would leave his wife and be with Peg and got really excited for the next season of this couple-to-be, I felt punched in the face when the guilty-look Ted showed up in Don’s office asking Don to put three hundred miles between him and Peg. But you must admit, what Ted did was right. Nevertheless, whatever he decided to do, the memo of divorce or breaking up would still hurt the other woman in his bed, badly.
The words were broken. The women were left to be disappointed. Yet as Roger pointed out, ‘you learn more from disappointment than you do from success’, will the women whose husband, lover, dad failed them, stood up and learned something？ Looking at the silouette of Peg in Don’s office, I knew she would (and Peg&Elizabeth Moss was never an disappointment on the screen). Sally was looking at her father in the eye before the deserted two-story house that had once been a brothel and home to her father. I hoped she would pull her young self together and saw something big from the experience that her father went through, from a ragged boy to a man in clean suits and tie and hat. As Meg darted out of the flat, I was fingercrossing and wished she would not be written off the show(as what was done to her part in her show). The scenario of Don taking away Stan’s opportunity bore a resemblance to what Megan did to her European friend in the last episode of season five, yet we failed to see more dark and manipulative side of Megan this season. I hoped to see the independent-minded Megan of power return next year.
SC&P decided that they could survive with a casual vacancy. And indeed, it would not be too much to ask that this casual vacancy could remind Don of his responsibility since he would sure see the firm run normally, if not perfectly, without him.
Take a break.
‘Don’t you always go home, though？ ’ - Peggy

　　《广告狂人 第六季》观后感(六)：不知不觉看了六季

美剧的情节人物的一贯设定，开始不怎么讨喜甚至是反面的角色，随着剧情的发展，逐渐展现出角色越来越多的正面形象，进而使观众喜爱角色。
从这一点来说，Mad Men看了六季，真的没有一个让人觉得讨喜的角色。甚至包括Joan，我以为她的角色是一般美剧的设定，可是她在利益面前，依旧选择了同其他合伙人一起驱逐Don，即便当初，Don曾那样力图阻止她出卖自己换取广告。其实，回头再看Don那次阻止Joan出卖自己的原因，多少是因为损害了他的自尊心，他认为自己有足够的创意去赢取广告，而不屑于是靠女人的肉体。Joan为了利益更无可厚非。
有的时候我会想，我为什么要看呢？所有的角色都不开心，或者很少有开心的时候。彷徨，懦弱，甚至卑鄙，不励志，不激情，闷而含蓄的剧情画面似乎映现的却正是我们的生活。
我想，生活真的有的时候看上去就是这个样子，沉闷，多数时候并不开心，总是负担这些什么，我们大多数没有那么高尚，我们总会徘徊，犹豫，没有激励人心的情节，可是回放过往，我们又往往发现在那些平淡的细节里，蕴含着别样的某种深意。

　　《广告狂人 第六季》观后感(七)：复杂人性（一）

Netflix上对Mad Men的介绍是，this show is: dark, emotional, understated. 这部剧淋漓尽致地展现了人的复杂：人究竟有多少欲望，又如何在生活中与这些欲望共存以及自处，是一个永恒的难题。
Mad Men中的父母与子女：
最同情Sally，一个出生在富裕家庭却不得不过早接受成人世界的女孩，在父母离异之后带着两个弟弟过着毫无安全感的生活。他们从不缺乏物质：父亲在纽约叱咤风云地做着广告生意，大名鼎鼎；母亲美丽优雅再嫁给议员，继父和继母都很和善。然而Sally却没得到过爱。Betty在和Don的婚姻里从郁郁寡欢无所事事，到痛苦怨恨，没有一刻真正快乐，她将一个女人所有的神经质和痛苦都倾倒在孩子身上。这样一个毫无耐心只会严加管束的母亲只得压迫得孩子沉默，甚至险些人格发展走上歧途（Sally曾在父母关系频临破裂时在公共场所自慰），幸而被有经验的儿童心理学家引导才重新回到正路。然而父母关系越发紧张，Sally和两个人事不懂的年幼弟弟只能被动接受大人所赋予的一切。Betty与Don离婚后带着孩子们再嫁，生活依旧富足，但其实并没有人真正在乎孩子们的感受，作为父母，betty和don甚至连一点点靠近孩子内心的行动都没有。Sally和弟弟们像球一样被踢来踢去，而Betty和Don为着周末谁该看管孩子吵得依旧不可开交。每个人都有自己的事要处理，有人要参加宴会，有人有工作要做，孩子似乎只要被接过去就算履行了义务。
Don是一个不负责任的父亲，他不曾得到过父爱所以也不懂得给予。"I'll pay everything for that(Sally's boarding school)"，他已自顾不暇，自然没有能力关心子女。在第五六季，Sally逐渐长大，她越发对父母失望，特别是当她亲眼目睹父亲的好友和继母的母亲在宴会上私相媾合，以及意外目睹父亲和邻居的妻子偷情时，Sally只得落荒而逃。"How is New York？" "Dirty." "I'm so sick of you!" Sally以极快的速度成长，在去寄宿学校的路上，她对Betty说:'He(Don) has never given me anything."
Sally只是一个例子。Mad Men里到处是父母子女关系冷漠到极致的例子：Peter和哥哥对父亲空难身亡毫无悲伤，反而打算着财产将来如何分配；第六季里Peter的母亲已近精神失常，出身名门曾经优雅的女人如今年老疯癫，两个儿子却无一人真心在乎，在她同样意外身亡后两人所关心的只有财产分配，最后各自把母亲公寓的名贵家具搬个了空。
或许子女对父母的这种冷漠令人寒心和诧异，为何出身名门的上流社会子弟都如此不孝？看看Sally的成长恐怕答案就渐渐清晰。Roger是一个更好的例子。第六季的结尾，我为roger难过，甚至有些可怜他。这个衔着金钥匙出生的豪门少爷，如今已经是年近60岁的老人，他依旧风度翩翩，英俊潇洒，言谈举止俏皮幽默，但满头银发和眼中的落寞无不透露着他那空虚孤独的生活。他有过两次婚姻，一个女儿，剧中很少描写他的家庭生活，但他的前妻曾提醒他:"You should spend more time with her(his daughter)", 而Roger从始至终的花天酒地风流无数使人们很容易想象他究竟花过多少心思在女儿身上。他可谓晚景凄凉，女儿婚后和女婿一起计算着他的财产，以各种投资名头要他出资。他自己也心知肚明，因为他对自己母亲的去世也同样麻木不仁。
本季的结束，所有人都和孩子在一起：Peter即将和Trudy离婚，他临走前回到家中，看着熟睡中的女儿；Roger被女儿拒之门外，最后来到Joan家，终于得以和他们的私生子度过感恩节；Don带着三个孩子回到他曾经长大的房子，那曾经的妓院如今破败不堪，门口一个黑人小孩坐在门口，手中拿着棒冰。也许所有人都想重拾和孩子的关系，都想回归那唯一的温情，只是这温情里夹杂着无数苦涩和遗憾，或许还有悔恨。

　　《广告狂人 第六季》观后感(八)：Both Sides, Now

Over the previous five seasons of the TV serious Mad Men, we had seen Don Draper deftly handling clients, conjuring his way up to the top to the Manhattan`s one of the best AD companies. Not so much saying Don`s glamourous façade is the central of the whole serious as his philandering ,hypocritical immanence forged this man inscrutable Batman appearance.
Screenwriter Matthew Weiner`s notion had spoken clearly at the finale that Don Draper`s glare is attempt to fade away. At the moment Sally caught his father in bed with Sylvia, the hero himself curled up to that melancholy , perverse old fellow Dick Whitman to whom used to steal money out of prostitutes, whom used to steal identity from a dying soldier. At the moment Don made his confession to Hershey executives, he released himself from squalid fairy tale, ironically his empire sunk down to the toilet along with his reputation. You say this is causal loop？ Thematically Don`s elusive persona isn`t in need of drifting any more, will Dick Whitman`s dour and tedious portrayal bring him out of stagnant？
As such, season six was taken place in the 1968, the year of turmoil and conflict, the year of assassinations of Martin Luther King Jr. and Bobby Kennedy, the year women didn`t have to strangle themselves to the endless housework. Peggy and Joan`s characters were depicted apropos reflecting women`s roll in the contempory society. Remember Peggy wearing paints in Don`s office after Ted ditched her to California？ Let us do not forget her Saucy Dress and black fishnets and Chanel No.5! Peggy and Ted`s relationship precisely illustrates people`s perceptions at the time. Does Peggy want a relationship with an ideal man？ Check. Does she want to seduce Ted？ Check. Does she want to be a home-wrecker？ No. Though she did end up making out with him. Mixed signals roiled both of their discretion and eventually drove them apart. A nostalgic experience for them led Peggy to define her path as oncoming female executive in the nick of time during Don and Ted`s absence.
The internal struggle within each character is worth our disquisition. Pete Campbell`s gloat , Ken Cosgrove`s tap dancing, Roger`s plight with his unreliable perception, Joan`s alternative choices of landing Jaguar and Avon, Sally`s adolescent… As if we can see through ourselves by looking at them trying to integrate themselves, as if we can sense our vulnerability by watching them sinking up to the chin and scrabble for the faint light. I’m holding no expectations but Don and the others can find their identities by the end of this ride, even though you know that is the last straw you could seize, even though more pain will be stored to your path. Nevertheless misery and happiness; the long path lays ahead, a flaming ribbon; "Both Sides, Starting Now".

　　《广告狂人 第六季》观后感(九)：阳光与欲望交织的世界，不算美，却真实

    阳光与欲望交织的世界，不算美，却真实。
  我们的生活中有佩姬，人前尽善尽美，而支撑身体的却是一颗争强好斗、永不停歇的野心。
  我们的生活中有琼，外表坚强练达，价值被忽视时，却也会变得歇斯底里，一发不可收拾。
   我们生活中有梅根，怀揣梦想，娇羞可人却脆弱敏感，把自己的梦建立在他人的支持之下，稍有不顺则怨天尤人。
   
  我们生活中有皮特，明知自身不足，却总把怨气撒在别人身上。
  我们生活中有贝蒂，爱自己周围的每个人，却希望别人更爱自己，欲求不满。
  我们生活中有萨利，希望发生在自己身上的都是最好的，不能接受生活的真实与不完美。
   
  我们生活中有罗杰，游戏人生却不能体谅他人。
  
  。。。
  
  我们都是唐，别人眼里的我们也许阳光四射，唯独自己能看到心底的暗涌翻腾。
  以他之眼，看世人的悲伤快乐，体验自己的挣扎迷离。
  竭力从欲望的泥潭里爬出，然后前行，再陷入、爬出、前行，也许这就是生活。
  

　　《广告狂人 第六季》观后感(十)：The kind of man I love

看MM也已经很久了，既然是从第六季开始看的，然后慢慢一季季追上来，那就把这篇拖了很久的影评放在第六季吧。
第六季第一集，夏威夷特辑，阳光、沙滩、酒店、美女，以及我们亲爱的Don Draper，马上吸引住我眼睛，我想我成为MM追剧一族，那个因素可是至关重要的。
片头曲一直是我想说的，从第一次听，看着那个黑色的西装的人影一层层坠落，有美女的香足似要拯救，又似乎经过马天尼杯中泛起一丝涟漪，最终，音乐声不断急促，急促到我快不能呼吸，还好最后一个音让我觉得还是稳稳地落了地，如那个剪影一般坐在了Madison Avenue的面窗靠椅上。
Don一直是那个我爱的哪种男人，风度翩翩，聪明非凡，身材又正，薄薄的嘴唇，吻着那么多该吻不该吻的女人，爱上这种男人，是一种毒药，无药可解。正如betty说过的，poor girl, she doesn't know the worst way to come close you is love you. Don其实还是很有自制力和想法的，第一季就拒绝了暗送秋波的Peggy，从没有打过Joan的主意，刚和Megan结婚的时候，面对那个送上门来的前前前情人，把人家硬生生推出门去。他也是想要一个稳定、安静的家庭的，不是吗？可是这个人不是神经质、和他一样自私的Betty，也不会是太清楚自己要什么的Megan。
可是我还是爱Don，这样一个男人放在面前，有什么理由不爱呢，即使会被伤得伤痕累累，要是有一个瞬间，他在我面前，看着我，吻着我，说着I love you，那么一切都是值得的，不是吗？
说说女人们， Peggy是我努力的对象，却不是我欣赏的类型，她总是那么理直气壮，总是那么……那么自以为是。她是像她师傅的，和Peter也会有难得的温情在里面，可还是不能欣赏。
Joannie才是我最爱的女角，情商与美貌并存，聪慧与身材齐飞。每次看她出来说话，解决困难都是一种享受。而她和Roger那也是非常好的一对，虽然他们永远不会步入婚姻的殿堂。
今天就说这么多了。