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Twilight读后感精选10篇
日期:2018-02-10 来源:文章吧 阅读:

Twilight读后感精选10篇

  《Twilight》是一本由Stephenie Meyer著作,Little Brown & Co出版的平装图书,本书定价:10.99美元,页数:544,文章吧小编精心整理的一些读者的读后感,希望对大家能有帮助

  《Twilight》读后感(一):浪漫

  其实作者对于场面描写并不在行,可是独特女性眼光细腻感情捕捉,真的让我很喜欢,以至于让我把4部英文都看完了,整整花了我1个月,Bella的变化是我所预期到的,从一开始,就知道这样一个不自信女孩儿心底有着十分强大力量,说吸血鬼的力量和外貌是成正比的,那么Bella后来的美丽也并不奇怪了。Edward真的是一个让人很琢磨不透的人物永远是那样的镇定,那样的有自控力,这样的人现实中恐怕是不存在的,也就是这种虚幻让无数女生为之尖叫。我不喜欢Jacob,不知道为什么。其实在书里面,我最喜欢的是Alice,对谁都很友好,而在对Jasper的事情上又可以看出,她能给予的力量与坚强,到最后,也是她不惜抱着被误会可能去为所有人找寻希望,即使那希望显得那样渺茫。始终她都是一个关键性的人物,有着很鲜明的性格

  总的来说,这是部爱情小说,所以我说,写的真的很浪漫,如果说一个梦激发了作者的写作灵感,那么这个梦也将进入到许许多多的读者的心中

  《Twilight》读后感(二):不咋地,着实是不咋地

  正如豆瓣上其他批评者的声音一样,这本书完全就是一本没有什么实质内容青春言情小说。一个高中女孩儿,不要命地爱上一个无敌大帅哥,每次一见面就要死要活的,心跳停止,呼吸停止。哪怕知道他是吸血鬼,不知道是因为那种“帅”已经让她失去理智了,还是自欺欺人地想要表现自己爱得纯洁。从始至终,这女孩儿都没有描写过自己对爱德华品格,性格的喜爱,从头到尾就一个字,“帅”!简直了,看得我都想抽死她。根据我总结的贝拉的特点就是:闷骚,无脑,超级超级超级自私的青春期小女生。怎么让我想起当年为了追刘德华逼得她爸跳江那女的。

  另外,作者的写作水平也相当一般。不要怪翻译得不好,其实原作的写作水平也不是太咋地。

  不咋地,着实是不咋地。

  《Twilight》读后感(三):harrypotter算什麽? 我們更愛twilight!!

  在評論開始之前我要說, 其實我看的是英文版, 不過中文英文都無妨, 因為一部作品的內涵并不是單單存在語句之中的.

  ============================

  故事的女主角: 內心敏感纖細, 對自己迷人外表毫無察覺, 跌跌撞撞心灵纯洁不停受傷让人好不放心的天然呆萬人迷.

  故事的男主角: 高大英俊, 神秘莫測, 風度翩翩, 還偏偏又特別專情的完美男人. 加上人家還是個吸血鬼, 這又得加上好幾十分.

  好啦, 這樣我們就可以光明正大地把這本書分到"瑪麗蘇"一類里去了.

  瑪麗蘇有什麽不好? 少女情懷總是詩吶. 大家都有權對這樣一個完美男人浮想聯翩地進行意淫: 誰不想讓這樣成熟穩重有安全感的男人成為自己的守護天使呢? 雖然人家是吸血鬼, 但是照樣強大無敵並且隨叫隨到; 加上那完美的顏和閃閃發光的身體(哇塞, 絕對不是開玩笑哦, 是真的會發光哦), 有這樣的男朋友在身邊簡直就比背十個LV包還來的拉風, 你說是不? 雖然咱在班裡也老是被那些眼光低俗的男生冷眼相待, 但是沒有關係, 總會有人發覺你被埋藏的美麗! 說不定下一次你轉學, 到了新的班級里就成了萬人迷了喲. 那些曾被你們遠遠注視著的英俊的學長們, 總有一天會越過那層層疊疊的膚淺女生的面孔, 看到你們那樸實無華, 純潔無暇的美麗心靈. 他一定會深深愛上你. 是的, 在他的眼裡, 你就是女主角.

  爲什麽此書如此成功? Twilight給了那些仍在自卑泥沼中掙扎的寂寞女子們一個永不磨滅的希望. 它教會了我們什麽是愛, 如何去愛, 最重要的是, 應該愛誰. 這樣, 它樹立了數千萬女生心中的完美形象, 提高了女生們的擇偶標準, 有效降低在校學生的戀愛率, 間接降低少女早孕率, 這在一個平均初夜年齡14歲的國家是多么偉大的壯舉呀! 誰說美國女生膚淺? 通過這本書的教育, 她們早已懂得了愛的真諦!

  所以啊, 哈利波特, 誰要看啊! 性格平庸的男主人公, 一臉蹉跎又愛嫉妒的男二號, 唯一那幾個屈指可數看得過去的男人們也都領便當的領便當, 路人甲的路人甲去了, 就連專門用來服務女性的馬爾福小少爺也中年危機禿了頂... 和twilight比起來, 這是怎樣一個想象力貧乏的無聊之作呀! 什麽生與死啊善與惡啊, 又俗氣又狗血, 那暮光之城才是我們心中的一方凈土!

  《Twilight》读后感(四):是琼瑶还是郑渊洁,拉出来遛遛呗

  之所以选了“推荐”,其实是我邪恶的陷害心理在作祟,hia hia hia...

  这本书呢,对电影无法忍受的人可以拿来看看,但是,看看就得了,后面的不用太期待,因为这就是一部 言、情、小、说。

  看电影的时候我还在天真幻想也许编剧出了问题,看完小说才发现问题出在作者,她就没打算讲故事,你就算是童话它也有个故事结构吧?也不能成天让女主被男主电来电去然后互电到两个人都很惬意但是观众烦得要死吧?让郑渊洁来讲这个故事,我告诉你,好玩一百倍。

  其实她就想让广大的无知少女无知女青年及无知妇女们流着口水陷入对爱德华同志的无限追思和仰慕之中,这太邪恶了。回想起我的高中时代第一次看琼瑶阿姨的言情小说,好像故事架构也没这么简单,可见这位作者多么懒,低估人民群众智商后果严重地!

  可是我还是看完了,并且对爱德华大流口水,这是怎样一个完美的男子啊!所以各位,如果对尔康尔豪什么的产生了厌烦情绪,那么请来看一看这位异国美男,振作一下吧!

  《Twilight》读后感(五):Twilight!

  Twilight is a book about love, here is what it is mostly about:

  Isabella Swan moves from sunny Phoenix, Arizona to rainy Forks, Washington to start a new life so her mother Renee can travel with her new husband, Phil Dwyer, a "strictly minor league" baseball player. Even though she never had many friends in Phoenix, Bella quickly discovers she is the new subject of curiosity at her new school in Forks, where she is quickly befriended by several students. Much to her dismay, several boys in the school compete for shy Bella's attention.

  ella finds Forks dull, boring, and just plain horrible. She hated the ever-raining city as a child, and even referred to it in Twilight as her "own personal hell on earth". However, the one exception to her boring life in Forks is Edward Cullen, the gorgeous and mysterious boy she sits next to in her Biology class. She hears 'ridiculous' rumors that Edward and his family are more than "beautiful humans", but despite having many theories she cannot bring herself to believe that there is a supernatural explanation for Edward's behavior.

  ella soon finds out that Edward and his family is a vampire, she has a deep romantic with Edward that she didn't realised another evil vampire, James wants to kill her. Edward wants to protect her too, James tricked Bella by phoning her that her mother is been kidnapped by him, Bella falls for the trick and goes to find James.

  ella finally knew that everything was a trick and the Cullen family goes to rescue Bella, they killed James and Bella and the Cullen family were also safe.

  《Twilight》读后感(六):我真的读不下去

  没有看过中文的,英文的是前女友前年给买的,所以对翻译不做评价。原来我读不下去以为是自己英文水平不行,现在再读,发现是真的读不下去,很抵触,基本这书总结成两句就是:“我该不该和他在一起?该不该和他在一起……不该和他在一起……该和他在一起(后面这个是回声,代表书中几十页罗里吧嗦的说这个事儿),和他在一起好开心哦!并且我也推测了为什么张爱玲写小说都用第三人称,因为用“我怎么想,我怎么做……”这种句式太恶心了,尤其在描写少女怀春这个上面。还有啊,我前女友比较倾向于“奥特曼打小怪兽”这样的段子当做笑话,而我比较喜欢“从前有个太监……”这样的段子当做笑话,并且彼此都不能理解对方为何觉得这个段子好笑。如你所见,这是我的,ex-GF。而这书,是我女友最喜欢的小说。

  《Twilight》读后感(七):哈

  凑了份热闹,也买了本Twilight读。

  可以看得出为什么这本书这么受欢迎。私下里认为,粉丝多数是些少女。

  一本可以归为"chick literature"的书。有romantic novels 的必备元素。1.英俊的与众不同的男主角(普通人已经不能满足MM们的胃口了,prince (富家男的代表),superman, spiderman 也显得过时了,现在该vampire 登场了)2.美丽的与众不同的女主角(通常这些女主角都意识不到自己有多漂亮,也不会是被娇宠惯了的富家女。)3.男女主角的世界其实是world apart , 这样一来,也才有更多的神秘感和吸引力刺激MM们的想象力,也为男女主角的爱情道路的波折和不确定 奠定了基础。4. 两个人好像都是为彼此量身定做的,都会向对方发出难以抵抗的sex appeal,但两人,尤其是男主角会比较成熟,有怜香惜玉的意识,常常能在关键时刻克制自己的欲望,当然,最后肯定会有本垒打,所以,前面的一切可以看成刻意延长的foreplay. 5.英雄救美 6. 现代的romantic novels 不太喜欢林妹妹一类的女主角了,理想的应该是还算聪明,有时候有些幽默感,能让男友开心,同时具有很女性的一面,能激起男性保护欲。

  佩服作者的聪明啊,第一本书里硬是没出现本垒打。人鬼恋的不确定性也确实比人人恋大,难怪硬是搞出了四本书啊。

  不过,借用Newsweek 上的一句评论“ The vampire books and movie did what Falwell and Dobson couldn't: make waiting for marriage look cool." 你看,吸血鬼都可以为爱而克制了自己吸血的本性和其它的欲望,热恋中的少男少女们也不妨学一学。哈。

  《Twilight》读后感(八):再次的废寝忘食。

  终于等到全部的四本,拿到这套书,再次重温久违了的废寝忘食般的读书。

  嗯……算是青春剧一般的小说吧。和《哈利波特》或者《魔戒》的的风格很不相同呢。

  拿到时看第一页,吓了一跳。Meyer一直在用第一人称写,导致我看了半天还以为她在写前言呢……-_-|||

  电影的第一部也看了,感觉还是怪怪的,不知道为什么那么多人极力的推荐暮光之城。当然,作为魔幻小说狂热者,这个暮光之城是绝对不能错过的,可是,总觉得写得和拍得都差了那么一点。

  最后那本看的是中文……呃……是翻译问题吗,语言上好奇怪,翻译得真差啊……大家要看就尽量看英文好了。

  感觉没有原来的期望值那么大,虽然已经很好了,可能是我的要求太苛刻了吧,这世界上能有几像托尔金那样的大师呢~~唉~~还是忘不了魔戒啊!

  《Twilight》读后感(九):Twilight

  Just love it。

  对于这本书而言,我是失败的。是一见钟情的美好。

  对于原著的痴迷,使我去看了罗伯特和克里斯汀的电影版。

  是多深的爱情,让爱的欲望遏制住了血的渴望,虽说这是老套的爱情故事,但终究这老套的爱情故事还是击中了我的心,爱德华和贝拉的生生死死,除了多年前在《泰坦尼克号》上相逢,如今难以重觅。

  或许这些都是人的浪漫幻想,可终究彩墨的世界,黑暗的世界,因为她而绚烂,这样的美好,何去何从。或有人厌恶这些,甚是看不过眼,亦无过处,毕竟人有不同,爱或不爱无需在意。

  Twilight给的爱情,我亦期待,不望轰轰烈烈,只期平平淡淡,多年过后,我们浅笑牵手,躺在摇篮中,轻晃,回忆过去点滴,亦是不错之举。

  《Twilight》读后感(十):platonic love exists only in plato's epoch. huh?

  latonic love, just stay in Plato’s time

  A few months ago, my U.S. friend spoke of a series of books that was taking our nation's young people by storm named Twilight. I wasn't sure what series he was referring to but knew that my 11-year-old nephew, Oliver, as well as my auntie in Canada were also reading the book. Curious, I ordered a book from abroad and started reading the New York Times Editor’s Choice.

  To my disappointment, Twilight flows out of the identical tradition of vampire-romance fantasies without anything unique or special. It shares the similar plot development, similar lead character, even the climax is within our expectation. The less-than-four-centimeter novel didn’t break the tradition this time but turns out to be a repetition of former classics: girl falls in love with good vampire, bad vampire comes after girl, good vampire saves girl from bad vampire and the two live happily ever after.

  Admittedly, all vampire-romance stories throughout the history seem to follow the same plot development, yet each with a unique to stand out from other similar literature. Like the fantastic characters in The Silence In Heaven in 2001, the clever plot of Bloodlist in 1990 by P.N. Elrod and the amazing climax of Covenant with the Vampire – Diary of the Family Dracul in 1995 by Jeanne Kalogridis. However, when it comes to Twilight, a vampire-romance novel of the this generation, we find to our disappointment that there’s nothing special or unique in itself from other similar classics, except for some special effects in the adapted movie. Had the novel been written a generation ago, it would have been a blockbuster shocking millions of juveniles, even the adults I suppose. However, in a period awash with such romance clichés and similar plots, Twilight hardly competes with former vampire-romance novels.

  I don’t know why my cousin, Oliver was so much crazy about the romance story in Twilight. I simply feel cheated after reading the block. I don’t know whether Stephenie Meyer, author of the novel, was taking the reader as idiots and fools or something. Doesn’t she feel the plot of Twilight too much reluctant? Simply after several weeks, after several glances and escorts to classes, Bella, the stupid leading actress in Twilight desperately fell in love with the “marble-chested and amazing-looked” vampire Edward, a descriptive narration that has been repeated more than seven times in the novel. In Stephenie’s philosophy, love is nothing but crush and love is eternal, sacred and inviolable for the sake of hormones and adrenalin rush.

  In an age when everything, including love, is awash with and corroded by overflow of material desires, love in contemporary society was no longer merely crush and passion. It has to deal with family background, monthly income, educational degree and all related worldly possessions. Love seems so much weak and fragile in the face of worldly criteria. Despite Twilight’s kind efforts to promote the simple and pure romance and the idea “ love for love’s sake”. The love depicted in the story seems a little bit too idiotic. It’s hardly convincing that the “ivory-skinned” teenage girlie could desperately fell in love with “marble chest, frantic voice and brilliant teeth” handsome vampire and makes up her mind to became a vampire simply due to the constant adrenalin rush tomato-red flush and spasm of panic. I feel cheated and angry that the author has degraded the IQ and EQ of her readers down to below zero. Love makes people lose their ration and reading romance novels reaches the same effect. The epoch calls for pure romance and love. Yet we’re no idiots. We allow for fantastic romance. Yet at least there should be some clever development in the plot.

  Twilight reminds me of Romeo and Julie and Liang Shanbo and Ju Yingtai, the Chinese version of Romeo and Julie. Yet what makes the latter two classics and the initial one kind of garbage is that Romeo and Julie’s story is moving and the plot is reasonable. Based on the “smell” of Bella only, the romance in twilight is so much ridiculous.

  eople are practical towards love nowadays. Without worldly possession precondition, love is hardly guaranteed in contemporary society. Platonic love may only suit those in Plato’s period.

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