《陌生男子》是一部由戴维·黑尔执导，瓦妮莎·雷德格瑞夫 / 伊安·霍姆 / 朱迪·丹奇主演的一部剧情 / 悬疑类型的电影，特精心从网络上整理的一些观众的影评，希望对大家能有帮助。
《陌生男子》精选点评：
●初临城郊的年轻男子的神秘自杀释放出一段周边居民压抑已久的黑暗激情。大胆通过陌生人的死讨论其对与之临时接触者的活的意义，打破悬疑片逻辑演绎的传统，以三十年跨度展开不断切换的青年情事和案发前后三时间层面，在不断建构回忆的过程中建立主角与死者的情感共性，最终拼凑出模糊的心理脉络。(4.5)
●好事多磨哇，終於看到了，鬱悶死...V.R的那點扭扭捏捏滴小激情怎麼入得了我老人家法眼...唉，朕滴老女人們真素應該全體像H.M筒子看齊，集體convert to天體主義...
●年代久远，看片有代沟了
●影片从餐桌上的交谈引出人物，向观众展示了一个近老年风韵犹存的女教师形象，然后一声枪响，约翰吞枪自尽，鲜血溅满墙壁，影片开始回溯，尽力摸寻线索，让观众去发现，并平行讲述了另一起杀伐，老女人勉力的微笑，难掩独自前行的落寞，与神秘！
●ʕ•̫͡•ʕ*̫͡*ʕ•͓͡•ʔ-̫͡-ʕ•̫͡•ʔ*̫͡*ʔ-̫͡-ʔ，打卡。
●寂寞空虚冷
●这个被剪成碎片学生模样的《陌生男子》极有可能是不存在的麦格芬，但关于他的谜团却莫名成了人们通往历史的时光机。记忆倒带回过去，这也让位于老师立场的女主背后那组记忆与忘却间的悖论浮出水面。于是困惑所有人的问题是谁也说不清楚的每个人背负着的隐痛，最终矛盾返回到迷茫一代对教育系统的拷问。
●有点儿《爱心补情天》的意思结构采用复杂手法，上层女性可以玩弄下层男性，后者先甜后苦精神崩溃，都是英国的故事，将社会案件的根源直指其无形的等级及受其影响的教育制度。可就是无法理解案中人，总觉得不自然。
●唉，沒看懂，又粗鄙淺陋了
●太闷了！而且不知所云，fucking is the most overrated thing.
《陌生男子》影评(一)：哲学的沉思-----一个虚无主义者的自杀事件
85年的金熊，导演还改编过路易马勒的烈爱重伤，以及那部很出名的《时时刻刻》
一天一个单身女老师请了一班朋友到他家里吃饭，其中有个叫做约翰莫根的，不知道是谁的朋友，潜入了他们的聚会，然后过了没有两天这个约翰莫根就来到老师家吞枪自杀了，故事围绕着这样一个迷团展开，约翰莫根是谁？他为什么自杀，接着镜头又转到一个就快要奔赴前线的战士和他的女友间，女友不肯和战士结婚，直到战士奔赴战场，在一次游戏中，战士被杀死了，女友独自一人走在飞机场的跑道中，而这时的片段也回到了约翰莫根自杀时的那一枪，也是战士被越南人民杀死的那一幕重合，这已是故事的结尾，当中有许多不可告人的秘密隐藏在这个教师当中，就像电影开头时讨论的尼克松的水门事件，涉及到政治，但是，在政治面前，普通人是普通的，他们孤独，需要爱，在得不到爱的结果就像约翰莫根那样，吞枪，对比下是教师的博爱，他可以和约翰莫根、图书馆朋友的丈夫、警察……发生关系，甚至可以在同学面前吸烟来上好这样一节课，其中有位女学生问老师：“文学有什么用？”“我担心以后毕业找不到工作时。”老师还是用那种老师的语气回答，读书不是为了别人，是为了自己的提升，一切的故事由这样一位孤独的对立面的老师来遐想，或者我们可以看成这部电影是这个语文老师的一部剧本。
《陌生男子》影评(二)：「Quotes」
「Do we become the way we look？ Or do we look the way we really are？」
「If you're thinking, "I must use education for a career," Then you're already thinking of education in the wrong way. Education is a thing in itself. It's a way of fulfilling your potential. Looking for ways of thinking about things, Ways which, if you're lucky will help not just your career, but your whole life.」
「I think the lonely recognize the lonely.」
「You're lonely. All that hope coming out of you, all that cheerful resolution. All that wonderful enlightenment. For what？ For nothing. You know it's for nothing. Don't tell me that cheerfulness is real.」
「When you're a boy, you think, "oh, it's so easy". Always wipe the slate and move on. Then, with the years, you find you become a prisoner of dreams.
↓
A girl ran away this morning.
↓
Good luck to her.
↓
Yes. Good luck.
↓
To all our escapes.」
《陌生男子》影评(三)：Why did John kill himself?
“I only know goodness, and anger, and revenge, and evil, and desire. These seem to me far better words than neurosis, psychology, and paranoia. These old words, these good old words have a sort of conviction, which all this modern apparatus of language now lacks. We bury these words, these simple feelings, we bury them deep. Nor the building over that constitutes this century will not wish these feelings away.” John Morgan
How easy sometimes it is to fake cheerfulness! These good old words shall be respected, as well as one's true feelings too, respected and recognised, not faked nor buried. These words build the fundamentals of humanity, and there is nothing wrong of coming across them, experiencing them, feeling them, deeply. What is hindering us from expressing what we really think and feel？ What if death comes and finds us in utter ore？ The boy died with contentment, respecting the truth.
Why did he have to kill himself？ He brought a gun before he came, obviously it was a planned death with a purpose. What was this purpose？ As he was watching from the window the market, the people coming and going getting their shoppings done, what is in his mind？ Is it that he could not connect to people？ He could not come to terms with the faked cheerfulness and peace. Finally he found his comrade, yet, she shared, but did not want to admit. These mutual feelings electrified them both, especially her. She did not believe such moments existed that when they came, she denied and rejected them. He thought she would be different, but she chose to give in, being part of the prevailing society.
Like Gandhi, death is a non-violent way of him saying NO. Maybe to wake the living up too.