《The Complete Maus》是一本由Art Spiegelman著作，Pantheon出版的Hardcover图书，本书定价：USD 35.00，页数：296，特精心从网络上整理的一些读者的读后感，希望对大家能有帮助。
《The Complete Maus》精选点评：
●漫画给人以身临其境的感受，真切地去经历那段作者形容为之泣血的经历，不是一段愉快的阅读经历，却引人深刻的反思。更多的人能看到这部漫画，就会有更多的可能接近和平，远离屠杀。
●required reading
●graphic novel
●真神作！！！！可以给六星么天惹！故事一流，画风虽然很不常见但是习惯了就非常喜欢！竟然有这么好的graphic novel，哭了
●COLLEGE WRITING 要求讀的,現在我正在寫讀後感. 一種殘忍的悲傷,讓人無法呼吸
●Any words said are unnecessary stains on silence and nothingness.
●The most shocking,emotional comic i'v ever read.At the same time it's also the best comic i've ever read.What a tragic life the father had.God damn Hitler.Why...why you,son of bitch,would ever come out in the history.I hate u.Why u dare said these words,"The Jews are undoubtebly a race,but they are not human!"
●目前读过的最好的 Graphic Novel
●黑暗和早已死去的灵魂
●改变我对漫画成见的一本书
《The Complete Maus》读后感(一)：无题
什么是战争，我们根本不知。
这本书我像所有认识的人认真的推荐，就像书的腰封上韩寒的推荐语一样，“如果你没有体会到过震撼心灵的感觉，读完它，你就明白了。”
其他的，不知道该说什么。
画风不精美，但这样的故事，配这样的粗粝的图，再贴切不过。
剩下的，只有读过才能体味了。
《The Complete Maus》读后感(二)：It's easy to die, but we have to struggle for life.
作者art的父亲vladek真是令人又无可奈何又让人钦佩。他能生还并不是全靠运气——会多种语言，身体强壮，敢冒险做自己并不那么会做的事（tinman，shoe repairer），很机智很有远见（省面包让别人帮助，用巧克力换干净衬衫，通过捆绑销售把半长的丝袜全卖了）。书中他对妻子anja说的一句话让我久久难以释怀-It's easy to die, but we have to struggle for life.我缺乏这种勇气。我开始想，如果我是文革中被迫害的一员，是被纳粹摧残的犹太人，我会使出浑身解数活下来吗？大概不会吧。但让vladek活下来的或许还有很重要的一点，就是anja的存在，让他有所希望有所留恋。
《The Complete Maus》读后感(三)：沉重到无以复加的漫画
故事依两条线索展开，一是从德军占领波兰至二战结束期间Artie的父亲想方设法保护自己的家人和自己；二是Artie希望父亲能把母亲的日记给他，结果却发现日记已经被父亲偷偷烧掉。奥斯维辛作为人性泯灭的象征和历史沉重的标记，给我们带来了诸多永远也讨论不完的问题，比如人性为何会扭曲到如此境地，比如我们怎样才能避免悲剧的再次发生，比如公民的批判性思维、独立思考的能力与不服从的精神可以怎样制止政府的暴虐和失误，缺乏独立思考能力和冷漠又怎样使平凡的百姓化身为魔鬼的帮凶。Artie的母亲在二战结束多年后却选择了自杀，感情的动物该怎样摆脱无辜负疚的阴影？
- Artie，德国的孩子们受到的关于集中营的反思教育已经让他们喘不过气了，你到底还想怎样啊？
- 也许……也许再多也是不够的。
《The Complete Maus》读后感(四)：The nomadic Subjectivity
Art, at least as he tells it in his book, can barely stand to be in the same room as him for more than five minutes – unless, of course, he is talking about the war. "This is the oddness of it," he says. "Auschwitz became for us a safe place: a place where he could talk and I would listen."
...
Vladek died in 1982. Does Spiegelman miss him？ Just for a beat, he falls silent, the only time in our 90-minute conversation this happens (he talks even faster than he smokes). "I can't quite answer that," he says. "Not exactly. I don't believe that another 10 chances would have gotten me there [reconciled us]. On the other hand, I could be more tolerant now. I miss my mother. But my father is always a problem. Parents are these weird creatures. They don't have scale. They're about 100 feet high when you see them from down there on the rug, and no matter what you do, no matter if you have an incredibly useful shrink, as I did, they pop back up to that size thanks to some early wiring in your brain."
...
As he sketched – completing the project took him some 13 years in all – he had the odd but thrilling feeling that he was working on something that was both "enormous" and bracingly containable. ...
...
... In other words, I am happy being a rootless cosmopolitan, alienated in most environments that I fall into. And I'm proud of being somebody who synthesised different kinds of culture – it is a fundamental aspect of the diaspora Jew.
...
... Then, in 1976, he met Françoise Mouly, a French architecture student. They married and began producing a comic showcase called RAW on the printing press she had installed in her SoHo loft. It was in RAW, with its crazily erratic publishing schedule (11 issues in about as many years), that the very first Maus stories appeared.
Quote in <Art Spiegelman: 'Auschwitz became for us a safe place'>
http://www.theguardian.com/books/2011/oct/23/art-spiegelman-maus-25th-anniversary