《吸血鬼伯爵德古拉》是一本由[爱尔兰]布莱姆·斯托克著作，安徽教育出版社出版的352图书，本书定价：29.80元，页数：2012-2，特精心从网络上整理的一些读者的读后感，希望对大家能有帮助。
《吸血鬼伯爵德古拉》读后感(一)：无力欣赏
废话太多，而且感觉很不合理，一通的激昂演讲，接着是泪流满面，最后拥抱一起。可能我看过太多吸血鬼的电影，觉得本书初代德古拉太弱，剧情也太话剧。明明情况紧急，还要慷慨激昂一番、泪目、拥抱，这样的情节重复出现。我实在无法欣赏。
《吸血鬼伯爵德古拉》读后感(二)：二流原著一流电影
惊情四百年的原著，虽然电影看了不下十遍，至今仍然觉得是我看过的最深刻的电影，但不得不说，小说其实一般。一个二三流的故事经过改编就成了一流的电影。对比最强烈的是露西躺进棺材前向教授喷血，电影中这一段处理地极为惊悚，而书中就比较平淡，几句话就带过了。还有那个结局，我迷惑了，为什么这么仓促？似乎有点不合理。电影中却是狡猾地掩盖了这一点。
《吸血鬼伯爵德古拉》读后感(三)：在维多利亚时期的烛光里打开伯爵的箱子
96年的时候，去老叔家玩，看了一部叫做惊情四百年的电影，当时就超喜欢，还特意跟老叔要了两张一套的VCD，至今对里面演员的演技记忆犹新（对里面光脱脱的女吸血鬼尤甚），一直觉得是最成功的吸血鬼电影。之后我又玩了两个同系列的吸血鬼游戏，可称得上是制作精良的解谜类游戏大作。脑海中，这个吸血鬼的故事一直带着浓浓的维多利亚时期英伦风情，在徘徊着。如今终于得以拜读原著，发现电影真是忠实地再现了原著，各种经典情节在阅读过程中都能和脑海里的影像一一映射，犹如细致地再看了一遍电影。
书中后半段的猎杀叙述过程，略显冗长，电影里处理的手法就非常好。我喜欢的电影们，都在90年代出现，黄金十年啊。
当初之所以要看这本书，完全是因为google主页为了纪念作者布莱姆.斯托克而制作的吸血鬼风格。这本小说中的德古拉伯爵可以说是史上第一个吸血鬼，现在风靡全球的吸血鬼题材的各种电影和小说，都是根据这本小说对吸血鬼的设定来创作的。因此，这本小说最大的价值就在于创作了吸血鬼这种题材，而小说本身的情节发展和人物塑造等方面，就略显一般了。
整部小说都是以几位主人公的日记、书信以及报纸的新闻报道的格式来呈现的。通过他们的描述来呈现德古拉伯爵的残忍狡诈。作者对吸血鬼的定义是一种亡灵，寄宿在死者尸体中。也就是说，变成吸血鬼的人，其实已经死去，只是亡灵在利用他的尸体而已。吸血鬼害怕阳光，因此只能在夜晚行动，还害怕大蒜、圣饼、十字架等神圣的物品。在夜晚行动时，根据功力的大小，可以变成蝙蝠、烟雾，召唤老鼠、狼，甚至改变天气等，具有一定的魔力。
小说着力表现了，英国绅士的风度、勇敢、忠诚，英国女士的坚强、温柔、美丽和智慧。小说中充满了大量相互的赞美和内心活动，因此并不是非常复杂的情节，却用掉了大量的篇幅。我甚至一度感觉，作者是为了躲赚取稿费而刻意采用日记体这种形式。
《吸血鬼伯爵德古拉》读后感(五)：Feminism in Dracula
In Victorian age, women are forced to play the role of a good mother, a submissive wife, a lovely sister, while men could do pretty much everything. In the end of 19th century, however, women start to realize gender inequality and fight for it.
We have two lovely heroines in this book: Lucy & Mina. Similarities between these two women are salient. They are charming, beautiful, considerate people of noble nature, as well as engaged with Alpha male character. They are bitten by Count Dracula, suffering from his evilness. Such akin figures, however, ended up in extremely different finale, which lead us to their imparity.
Mina, praised by Dr. Van Helsing as “with heart of women and brain of men”, has survived the tragedy. She save Lucy once during the poor girl’s sleepwalking, and make enormous efforts during the battle to bring down Count Dracula. Nay, the same person take the responsibility, from Ms. Westenra, to guard her friend during the night when no man’s around. Doesn’t she look like a surrogate husband to Lucy？
While Lucy is traditional，submissive as well as contradictory .”I suppose that we women are such cowards that we think a man will save us from fears, and we marry him” (Chapter 5, Letter, Lucy to Mina, 24 May)” And women, I am afraid, are not always quite as fair as they should be (same letter) “Why can’t they let a girl marry three men” (same letter, this become true metaphorically in latter). Aforementioned thoughts indicate that she knew something about gender inequality, nonetheless couldn’t free herself from it，which leads to her death, carrying out by her own fiancé. Because in a patriarchal society, women will be cruelly executed if she “cross the line”.
We could easily perceive the sprout of feminism in Dracula, yet it is not mature. It won’t be widely accepted until decades later