《伊甸木》是一部由弗兰克·韦斯蒂执导，克洛维斯·科尔尼亚克 / Alexandra Ansidei / Olivier Dupuy主演的一部恐怖 / 悬疑 / 科幻 / 惊悚类型的电影，文章吧小编精心整理的一些观众的影评，希望对大家能有帮助。

　　《伊甸木》影评(一)：别忘了，法国核能发电量占80%

　　作为全球最为依靠核能发电的国家，他们势必一直在找寻更可靠的新能源。

　　电能问题用这样的一部电影来讽刺和自醒，也感觉十分合理

　　只是，片子开始没多久，我就猜到一定是某项革新的试验工程，试图造福人类，而最后总会产生致命的缺陷而毁灭人类。我一直猜测主角与这个工程的关系，只是最后还是有点失望，没有更深层次的秘密。

　　用这种失忆+密闭空间探索形式，你必须习惯这种镜头，从一片茫然四处碰壁到渐渐发觉线索，还原记忆，这才是此类悬疑的核心看点。许多人对前20分钟无法忍受，我感觉十分不解。这时候恰恰是我们抓住伏笔和线索的良机。

　　伊甸，对于社会，系统，天道和人性本质的隐喻，就是仁者见仁的问题了

　　《伊甸木》影评(二)：Eden Log Review Written by: alien25

　　Eden Log Review

　　Written by: alien25

　　For a while there, it seemed to me that French filmmakers could do no wrong, especially when it came to creating excellent and original Thrillers and Horror movies. After all, they gave us Martyrs, High Tension, Frontiers, Inside, 13 Tzameti, and Tell No One in recent years. So imagine my surprise when the two most recent French films I have watched turned out to be such great disappointments. I might even go so far as to say that it is refreshing to know that the French too can make lackluster genre pieces just like us. I am referring to Dante 01, which I previously reviewed, and now Eden Log. After everything that I had seen, and having waited patiently for its release on DVD, I had very high expectations for Eden Log. And perhaps those expectations are in part to blame for the letdown that I felt after watching the movie. But none the less, it was even more disappointing than Dante 01.

　　A man awakens alone, naked and disoriented in a wet cave. Cold and unable to speak, he has no idea who he is or where he is. He stumbles about the cave and eventually comes upon a holographic image welcoming him and offering him the first clues as to his whereabouts. It becomes clear that he is deep underground and that he must somehow find his way to the surface. His journey to the surface takes him through a labyrinth of tunnels and caverns where he encounters strange mutant creatures, soldiers who seem intent on catching him, and of course the plant. With each succeeding level, the mystery of the plant and its relationship to man is exposed, and he slowly becomes cognizant of who he is and what his true purpose is.

　　robably the best thing that I can say about the film is that visually, it is very cool looking. And from what I understand, the director Franck Vestiel managed to achieve this with a meager budget. It is almost monochromatic, with metallic gray seemingly being the single color throughout the entire movie. I had to check myself towards the end when I began to think that I was watching a black and white film. In fact there is really only one scene, midway through the movie, where color really comes into play. I had to recall this scene in order to snap my self out of my black and white haze. The entire film is very dark, almost annoyingly so. It is difficult to tell what is actually happening most of the time. The first five minutes of the film should have been a dead give away for what was in store. One can barely make out the action as the man drags himself out of a puddle and stumbles about the cave, the entire scene lit intermittently as the feeble light source strobes slowly on and off. The end result was just annoying and off putting. While it would be logical that an underground setting be dark, and that the dark here serves as a device to heighten tension and the sense of the unknown, it is over done and ends up becoming more of a distraction. The dark also could be seen as a means by which the film makers hid the shortcomings of the production.

　　The other positive comment that I can make for the film and its makers is that at least they tried to do something original and different. This is not your average cookie cutter science fiction horror movie. The story is original even if its theme is not. But unfortunately, that all gets lost in the delivery. I had to go to the IMDb message boards and read how other viewers interpreted the movie just to reconcile my own feelings about it. The acting is for the most part nondeｓｃｒｉｐｔ. There are few characters and very little dialogue. Our protagonist utters little more than a grunt until about the halfway point of the movie. And for how little time we actually get to spend with any of the other characters, including the mutants, their performances were uninspiring. And again, with props to the director for trying to do something original within the constraints he faced, the movie really seemed haphazard. There seemed to be little connection between the stops on the protagonist’s journey. One would think that with each succeeding level there would be some correlation to the previous level and perhaps an idea of what is in store on the next level. But to me, there seemed to be no relation between the experiences he faced on his journey. As much as I wanted to like the movie, especially given my enthusiasm to see the film going in, I just couldn’t get past all of its shortcomings. I would have to say cool plot, idea, and look, but unfortunately failed in its delivery.

　　http://www.horror-movies.ca/horror_reviews_6139.htm

　　《伊甸木》影评(三)：人吃人的社会

　　统治者开发了一种新能源‘伊甸木’供给整个社会，许诺只要人们勇于奉献，辛勤劳作就能有一个美好的伊甸园式的未来（树上的立方体果实），其实这个许诺永远实现不了。‘伊甸木’的最下层是被吸食的体无完肤的工人阶层；第二层是挣扎在这个系统中不能自拔的工薪阶层；第三层是最自由的上流社会，但是最后她发现自己也被污染了，也只不过是统治者的工具和玩物罢了（所以愤恨的离开了主人公）；最上边一层是暴力的统治者，警卫长（主人公）就是他们的代表。由于‘伊甸木’产生了毒素（社会弊端的必然结果）使得工人阶层发生暴动，警卫长带领一队人马下去镇压，结果被工人打得暂时失忆了，影片就从这里开始。

　　《伊甸木》影评(四)：伊甸木 Eden Log

　　2012.3.9观影：

　　偶尔换台时翻到了这部影片，开场的黑暗使我意识到是部惊悚片。出于对惊悚片的热爱，算是耐着性子等到了结局。

　　正如很多影评中提到开场的前20分钟，在黑暗与煎熬中度过，偶尔有一丝亮光却一闪而过。画面恍惚，环境，人物肮脏，无言语交谈，只有急促的呼吸和远处若有若无的异响。整个故事情节无精彩之处，有些情节交代的也并不清晰。在观影过程中我去查阅了网上的简介，才稍稍能将影片内容大致看懂。

　　摘抄影片核心内容：

　　-4层的人，身处在绝境之中，面对主角，只能劝他自杀。

　　-3层的人，生命已经枯萎。他曾企图重生大自然，却以失败告终。

　　-2层的人，不可置信地看到未曾受到污染、反而能使自然重生的人。

　　-1层的人，那是一个夏娃，和纯洁的亚当吃下了禁果。

　　回到地面总控制中心，真相大白。