《乔布斯》是一部由乔舒亚·迈克尔·斯坦执导，阿什顿·库彻 / 德蒙特·莫罗尼 / 乔什·加德主演的一部剧情 / 传记类型的电影，文章吧小编精心整理的一些观众的观后感，希望对大家能有帮助。
《乔布斯》观后感(一)：这终究只是个普通人，而已。
很汗颜地说，我并非果粉，但依然对乔帮主这等传奇人物充满好奇。不得不说，如若要将该片作为向乔帮主致敬，甚至是顶礼膜拜的图腾，果粉们怕是要失望了。该片承载不了太多期望和过于崇高的价值判断，甚至，揭露了乔布斯不为人知，不甚光彩的一面。其次，如若要将该片当做纯故事片，我等之流怕是也要失望了。传记重在忠于现实基础之上的适度夸大和演绎，尊重基本事实是题中之义，所以不能为追求剧情曲折或完整而凭空杜撰，所以在剧情推进方面有诸多遗憾在所难免。尽管电影来自于生活，生活有时却远不如剧情精彩。该片前半段尤其压抑，满目皆是乔帮主的焦躁易怒，独断专行，薄情寡义，众叛亲离。虽然天才难免特立独行，但过于自我的反社会行为显然只能导致隔绝。尽管如此，在看到乔布斯从CEO之位被迫黯然离开，回到儿时跟兄弟们艰苦创业的车库，埋头在老父亲怀里痛哭时，依然恻隐之心大动。浪子回头最为可贵。按照常规剧情，接下来该是乔布斯如何痛心疾首洗心革面最终重夺江山，但显然剧情并未完全如观者所料。退位后，在菜园拔菜的场景占了较多篇幅，曾经的英雄并未完全归隐山林，等他重回苹果之时，毅然报了当初夺位之恨，理由仍是当初被赋予自己的两个字“障碍”。这是怎样狠狠的一击，时隔多年仇人相见并未一笑泯恩仇，乔布斯如此记仇。但同时，激情仍在，改变世界的梦想仍在。乔布斯说，生活是被那些不如你聪明的人创造出来的，所以，你必须改变世界。回归后的乔布斯在片尾广告语中一一回忆了那些患难与共的好兄弟。新的董事会人手仍缺，我以为，他会将那些好兄弟叫回，重新并肩作战，重拾友谊。他已悔悟，可惜那些岁月和情谊终归不回。影片戛然而止。没有大开大合，不够荡气回肠，也没有花好月圆，但这就是人物传记。该片由曾经掌镜《泰坦尼克号》的拉塞尔-卡朋特担纲，画面还算讲究，长镜头运用圆熟。库彻表演激情有余，走路姿势异常奇特，更适合扮演神经质的艺术家。如果没有过于丰满的剧情和立体多元的人物层次，一枝独秀难免感觉单薄。看完全片后最深的感触只有一句话，乔布斯只是一个人，而已。
《乔布斯》观后感(二)：导演你跑题了！
乔帮主一生所追求的终极目标清清楚楚地写在苹果广告的座右铭位置了--change the world啊！帮主自己都一遍一遍讲了，导演你怎么能不明白呢？乔布斯的故事尽人皆知了，所以他的传记电影绝不能是人生流水账！重点表现对美学和完美的坚持是严重的跑题，那只是改变世界的子课题罢了。
几个重点：已拍的车库创业、个人电脑业务、被赶出自己公司、胜利回归、耿直倔强性格以及几任女友的过程当然一个不能少；还有PIXAR、ipod、iphone这三个重点故事至少每个讲半个小时才行，因为它们分别彻底改变了全世界的动画、音乐和移动通信产业，这才是真正应该讲的内容：改变世界！而且对完美的坚持在这三个故事里可以很充分地表现 出来。最后在全片反复强调改变世界的基础上升华一下做个三十年前后大众日常生活的特定方面的对比（比如记忆闪回或者纪录片效果），这样就完美了。所以127分钟的长度设定是大错特错！魔戒史诗敢拍三集，乔帮主的史诗拍个两集怎么了？
不要怪裤衩哥，演技可以让导演慢慢指导磨练的。归根结底，是导演没魄力！而为什么没魄力，为什么跑题？因为他不是真心要歌颂帮主，他没有充分认同改变世界的伟大理想，他只是个搓黑鱼挣热钱的商人罢了！
目测十年内必会有诚心的人翻拍！
《乔布斯》观后感(三)：“乔布斯”台词便签
“计算机的设计初衷是为了让你的生活更轻松。理论上，计算机可以做任何事情。”
“你降生时的身份并不重要，重要的是如何用好你的时间。人的寿命天已注定，生活就是走向平静，走向终点的旅程。尽可能简单的去生活，你会惊奇地发现，原来生活可以如此纯粹和幸福。”
在我创立这家公司时，我心里就有个目标，那就是去做其他人认为不可能的事情，去把世界上最先进科技的力量与美，送到你我这样普通人的手中和家里。我向你们保证，今天过后，你们看待电脑的眼光将会彻底改变，在此，我骄傲地向你们和全世界介绍个人电脑的未来，充满革命性的Apple II。”
“你可以打造伟大的产品，但你必须让人们相信你卖的东西更伟大。我们卖的不是电脑，而是人们有了电脑后所能做的事情，它是心智的工具，而这个，女士们，先生们，是无穷无尽的。因为人们总愿意去相信，自己能从中获得更多：无论是他们的工作，他们的婚姻、金钱和生活。这就是你们要和Mac一起做的，那就是对无限可能的信仰，化不可能为可能。无论你有什么梦想，你都可能做到，而Mac会帮你将它实现。”
“当你长大了，总有人对你说，这个世界有它的规则，你的人生也是在这个世界上过生活，别老是想着去打破规则，这样的人生太狭隘了。人生可以更加宽广，只要你能领悟一个简单的道理：那就是你身边一切所谓生活的东西，都是一些不必你聪明的人造出来的。你可以改变它，你可以影响它，你可以自己创造出对别人有用的东西。一旦你跳出那个“生活不可改变，你只能去适应”的荒谬观点，转而拥抱它、改变它、升华它，给它烙上你的印迹，一旦你明白这点，你的人生将从此不同。”
“这是向疯子们的致敬：他们特立独行，桀骜不驯，从来不太平，他们是格格不入的一群，习惯用不同眼光看事情，他们不受规则约束，对既成事实也不屑一顾，你可引用他们，亦可反驳他们，或赞颂或诋毁他们，你唯一做不到的，就是忽视他们，因为他们带来变革，他们推动人类向前，或许有些人将他们视作疯子，但我们视之为天才，因为只有疯狂到相信自己能改变世界的人，才能改变世界。”
《乔布斯》观后感(四)：應景地附上Jobs在Stanford的演講稿
You've got to find what you love, Jobs says
This is the text of the Commencement address by Steve Jobs, CEO of Apple Computer and of Pixar Animation Studios, delivered on June 12, 2005.
I am honored to be with you today at your commencement from one of the finest universities in the world. I never graduated from college. Truth be told, this is the closest I've ever gotten to a college graduation. Today I want to tell you three stories from my life. That's it. No big deal. Just three stories.
The first story is about connecting the dots.
I dropped out of Reed College after the first 6 months, but then stayed around as a drop-in for another 18 months or so before I really quit. So why did I drop out？
It started before I was born. My biological mother was a young, unwed college graduate student, and she decided to put me up for adoption. She felt very strongly that I should be adopted by college graduates, so everything was all set for me to be adopted at birth by a lawyer and his wife. Except that when I popped out they decided at the last minute that they really wanted a girl. So my parents, who were on a waiting list, got a call in the middle of the night asking: "We have an unexpected baby boy; do you want him？" They said: "Of course." My biological mother later found out that my mother had never graduated from college and that my father had never graduated from high school. She refused to sign the final adoption papers. She only relented a few months later when my parents promised that I would someday go to college.
And 17 years later I did go to college. But I naively chose a college that was almost as expensive as Stanford, and all of my working-class parents' savings were being spent on my college tuition. After six months, I couldn't see the value in it. I had no idea what I wanted to do with my life and no idea how college was going to help me figure it out. And here I was spending all of the money my parents had saved their entire life. So I decided to drop out and trust that it would all work out OK. It was pretty scary at the time, but looking back it was one of the best decisions I ever made. The minute I dropped out I could stop taking the required classes that didn't interest me, and begin dropping in on the ones that looked interesting.
It wasn't all romantic. I didn't have a dorm room, so I slept on the floor in friends' rooms, I returned coke bottles for the 5¢ deposits to buy food with, and I would walk the 7 miles across town every Sunday night to get one good meal a week at the Hare Krishna temple. I loved it. And much of what I stumbled into by following my curiosity and intuition turned out to be priceless later on. Let me give you one example:
Reed College at that time offered perhaps the best calligraphy instruction in the country. Throughout the campus every poster, every label on every drawer, was beautifully hand calligraphed. Because I had dropped out and didn't have to take the normal classes, I decided to take a calligraphy class to learn how to do this. I learned about serif and san serif typefaces, about varying the amount of space between different letter combinations, about what makes great typography great. It was beautiful, historical, artistically subtle in a way that science can't capture, and I found it fascinating.
one of this had even a hope of any practical application in my life. But ten years later, when we were designing the first Macintosh computer, it all came back to me. And we designed it all into the Mac. It was the first computer with beautiful typography. If I had never dropped in on that single course in college, the Mac would have never had multiple typefaces or proportionally spaced fonts. And since Windows just copied the Mac, its likely that no personal computer would have them. If I had never dropped out, I would have never dropped in on this calligraphy class, and personal computers might not have the wonderful typography that they do. Of course it was impossible to connect the dots looking forward when I was in college. But it was very, very clear looking backwards ten years later.
Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something - your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.
My second story is about love and loss.
I was lucky – I found what I loved to do early in life. Woz and I started Apple in my parents garage when I was 20. We worked hard, and in 10 years Apple had grown from just the two of us in a garage into a $2 billion company with over 4000 employees. We had just released our finest creation - the Macintosh - a year earlier, and I had just turned 30. And then I got fired. How can you get fired from a company you started？ Well, as Apple grew we hired someone who I thought was very talented to run the company with me, and for the first year or so things went well. But then our visions of the future began to diverge and eventually we had a falling out. When we did, our Board of Directors sided with him. So at 30 I was out. And very publicly out. What had been the focus of my entire adult life was gone, and it was devastating.
I really didn't know what to do for a few months. I felt that I had let the previous generation of entrepreneurs down - that I had dropped the baton as it was being passed to me. I met with David Packard and Bob Noyce and tried to apologize for screwing up so badly. I was a very public failure, and I even thought about running away from the valley. But something slowly began to dawn on me – I still loved what I did. The turn of events at Apple had not changed that one bit. I had been rejected, but I was still in love. And so I decided to start over.
I didn't see it then, but it turned out that getting fired from Apple was the best thing that could have ever happened to me. The heaviness of being successful was replaced by the lightness of being a beginner again, less sure about everything. It freed me to enter one of the most creative periods of my life.
During the next five years, I started a company named NeXT, another company named Pixar, and fell in love with an amazing woman who would become my wife. Pixar went on to create the worlds first computer animated feature film, Toy Story, and is now the most successful animation studio in the world. In a remarkable turn of events, Apple bought NeXT, I retuned to Apple, and the technology we developed at NeXT is at the heart of Apple's current renaissance. And Laurene and I have a wonderful family together.
I'm pretty sure none of this would have happened if I hadn't been fired from Apple. It was awful tasting medicine, but I guess the patient needed it. Sometimes life hits you in the head with a brick. Don't lose faith. I'm convinced that the only thing that kept me going was that I loved what I did. You've got to find what you love. And that is as true for your work as it is for your lovers. Your work is going to fill a large part of your life, and the only way to be truly satisfied is to do what you believe is great work. And the only way to do great work is to love what you do. If you haven't found it yet, keep looking. Don't settle. As with all matters of the heart, you'll know when you find it. And, like any great relationship, it just gets better and better as the years roll on. So keep looking until you find it. Don't settle.
My third story is about death.
When I was 17, I read a quote that went something like: "If you live each day as if it was your last, someday you'll most certainly be right." It made an impression on me, and since then, for the past 33 years, I have looked in the mirror every morning and asked myself: "If today were the last day of my life, would I want to do what I am about to do today？" And whenever the answer has been "No" for too many days in a row, I know I need to change something.
Remembering that I'll be dead soon is the most important tool I've ever encountered to help me make the big choices in life. Because almost everything – all external expectations, all pride, all fear of embarrassment or failure - these things just fall away in the face of death, leaving only what is truly important. Remembering that you are going to die is the best way I know to avoid the trap of thinking you have something to lose. You are already naked. There is no reason not to follow your heart.
About a year ago I was diagnosed with cancer. I had a scan at 7:30 in the morning, and it clearly showed a tumor on my pancreas. I didn't even know what a pancreas was. The doctors told me this was almost certainly a type of cancer that is incurable, and that I should expect to live no longer than three to six months. My doctor advised me to go home and get my affairs in order, which is doctor's code for prepare to die. It means to try to tell your kids everything you thought you'd have the next 10 years to tell them in just a few months. It means to make sure everything is buttoned up so that it will be as easy as possible for your family. It means to say your goodbyes.
I lived with that diagnosis all day. Later that evening I had a biopsy, where they stuck an endoscope down my throat, through my stomach and into my intestines, put a needle into my pancreas and got a few cells from the tumor. I was sedated, but my wife, who was there, told me that when they viewed the cells under a microscope the doctors started crying because it turned out to be a very rare form of pancreatic cancer that is curable with surgery. I had the surgery and I'm fine now.
This was the closest I've been to facing death, and I hope its the closest I get for a few more decades. Having lived through it, I can now say this to you with a bit more certainty than when death was a useful but purely intellectual concept:
o one wants to die. Even people who want to go to heaven don't want to die to get there. And yet death is the destination we all share. No one has ever escaped it. And that is as it should be, because Death is very likely the single best invention of Life. It is Life's change agent. It clears out the old to make way for the new. Right now the new is you, but someday not too long from now, you will gradually become the old and be cleared away. Sorry to be so dramatic, but it is quite true.
Your time is limited, so don't waste it living someone else's life. Don't be trapped by dogma - which is living with the results of other people's thinking. Don't let the noise of other's opinions drown out your own inner voice. And most important, have the courage to follow your heart and intuition. They somehow already know what you truly want to become. Everything else is secondary.
When I was young, there was an amazing publication called The Whole Earth Catalog, which was one of the bibles of my generation. It was created by a fellow named Stewart Brand not far from here in Menlo Park, and he brought it to life with his poetic touch. This was in the late 1960's, before personal computers and desktop publishing, so it was all made with typewriters, scissors, and polaroid cameras. It was sort of like Google in paperback form, 35 years before Google came along: it was idealistic, and overflowing with neat tools and great notions.
tewart and his team put out several issues of The Whole Earth Catalog, and then when it had run its course, they put out a final issue. It was the mid-1970s, and I was your age. On the back cover of their final issue was a photograph of an early morning country road, the kind you might find yourself hitchhiking on if you were so adventurous. Beneath it were the words: "Stay Hungry. Stay Foolish." It was their farewell message as they signed off. Stay Hungry. Stay Foolish. And I have always wished that for myself. And now, as you graduate to begin anew, I wish that for you.
tay Hungry. Stay Foolish.
Thank you all very much.
《乔布斯》观后感(五)：《乔布斯》：人物传记的标本之作
一千个读者眼中就会有一千个哈姆雷特，一百个果粉心中却只有一个传奇的乔布斯。在果粉心中被奉为神一样的人物，关于他的自传可能已经烂熟于心，他是一段传奇。传奇人物的一生怎可能区区两小时能够讲完？电影《乔布斯》只是展现个观众一个或几个人物的侧面，通过几点来看一生，这是人家关于人物传记电影的过人之处。不像我们都是高、大、全，流水账似的记录。
Ipone成为街机，IPAD成为休闲工作之必备的当下，乔布斯已经成为果粉心中的了一段传奇，他是改变世界的科技天才和某种意义上的精神领袖。乔布斯人性化的设计理念的哲学已经深深影响了一批人，这种影响小到审美品位大到创意理念和生活哲学，偶像级大师级传奇级的人物，其实传记电影是很难拍的。看过该片后，笔者感觉并非像欧美评论那般无彩，相反，它能成为人物传记的标本之作。
即使是天才的人生，也不可能总是有着情节跌宕的故事，2个小时的时间又如何能完全浓缩出乔布斯的一生。人物传记类的电影向来不与其他电影同比，电影这门艺术，只能通过多个侧面才展现人物的生活、工作和情感。
很多人都在拿《乔布斯》和《中国合伙人》做比较，其实大可不必，因为根本没有可比性。西方关于大人物的传记，都在挖据所谓光鲜的成功背后人性的困惑，其扮演者深深体会到了乔布斯生命中的“令人绝望的孤独”，但这在我们看来无疑是得了便宜又卖乖。而我们拍的片子呢？成了变的味道的中国梦注解。关键还是价值观的不同，我们这个社会的主流价值观没有形成，乔布斯是一个异类，我们这个社会不允许异类的存在，因为整个社会都在鄙视他，也正是这些看似异类实则天才的人出现才能创造奇迹。
其实，《乔布斯》拍得比较谨慎，选择了他人生的几个闪光点，从乔帮主创业开始，人物性格、日常生活，行为举止全部得以展现，直到后来成立公司之后的挫折与成功，被黑与反击，职场上的厚黑学，人物内心的纠葛，可以说这是一部创业中兼顾生活气息的电影，展现了乔布斯的天才与疯狂，也点出了他的交际与偏执，终究还一个标准的正面形象。
这部电影没有把他最受关注的近十年展现出来，相反却聚焦于他的成功初期。这样的安排虽然让人不过瘾，但另一方面却可以理解：对于乔布斯的这十年辉煌，已经留下太多的影像资料，数次发布会都有高清视频，也有不少的访谈可以令我们了解这些事情，相反，乔布斯过去的日子却是一个盲区，值得我们探寻，相信这也是电影如此安排的用意。
每个人都是复杂存在的，乔布斯的复杂性可能任何人都无法解答，这也是每个人都在独一无二的存在着，乔布斯已逝，人间再无乔布斯。他只能怀念，怀念他缔造的传奇和带给世界的改变。
《乔布斯》观后感(六)：灵感起源，生命的赞歌！
看了一些影评，有很多人吐槽这部片子剧情差、情节内容上没有选取到苹果、乔布斯发展的关键节点，对此可能仁者见仁，智者见智。而我只谈对本片看法，欢迎大家来吐槽拍砖！！
乔布斯是个伟人，在人们眼中甚至可以与先贤并肩，他开创了一个时代，改变了整个世界、整个人类的发展轨迹。他不仅一次的改变科技、互联网的发展历史，引领现代数字技术设计与发展。他不仅是互联网的先驱，更是在追求美得极致上渐行渐远。。。
影片以一个乔布斯介绍产品发布会作为开头，是以这种结果来追溯乔的苹果诞生过程。发布会上铿锵有力的介绍、夹杂着些许幽默、观众的嬉笑与赞叹，发布会的庄严和神圣，灯光投洒在乔布斯坚定的眼神上，一切显得那么万众瞩目，见证奇迹的诞生！这种科技产物已经不简简单单的是新一代产品，而是象征着人类科技的发展、对美学的追求的新高度！
影片基本分为这几个部分：乔布斯与伙伴车库研发、第一代苹果、精益求精进行裁员、微软剽窃案、被迫离开苹果、重新掌握苹果制定新策略。由于影片侧重点不同，所以着重于前面几部分的描述，后面的故事因为篇幅也只交代了原因和结尾，略显仓促。
本片着重于写乔布斯，才华、能力和个人魅力：一个逃课生怎么创立了全球市值第一公司的成长路径。赤着脚、披头散发、邋遢的走在校园，东张西望，带着微笑，一副浪子的气派，浑身透着魅力！这就是影片塑造年轻的乔布斯，我行我素、特立独行、才华横溢、追求美得极致！其实也许有演员的魅力在其中，影响了乔布斯本身的个性。我查过资料，乔布斯本身是一个孤僻与自恋的混合体，追求美得极致，艺术与产品的结合，性格暴躁，让人难以亲近，并不像影片开头所塑造那样亲和友善，倒是与影片中后段的乔布斯做研发时怒骂员工，辞退员工的个性挺像。
最令我记忆深刻就是影片中乔布斯带朋友在野外嗑药，躺在田野上感受阳光撒过田野，寻找生命的美好，这一段让我记忆尤新。阳光隔着树杈投射眼中，光斑打在脸上，和煦的微风，沙沙的声浪,优雅、急促小（大）提琴带着灵感与生命的美好传递而来，乔布斯在金色的麦田徜徉，随着节奏舞蹈，一切的一切就从这里开始发芽。这里是电影第一处来表现乔布斯追求美、追求旁人无法触及的东西，并且到了极致。
至于后边苹果公司的诞生，艺术与产品的结合，进行大胆的创新和跨界 ，都是从金色麦田开始的。我觉得金色麦田的“独舞”是乔布斯后来所拥有的一切，所能达到的高度的源泉，灵感、创意从这里开始迸发，在追求极致的创新，追求完美的道路上一去不回，旁人只能望其项背。
最喜欢的这段说完了，后边的情节印象特别深的并没有。
《乔布斯》观后感(七)：科技疯子乔布斯最赏识的四类人才
文/一池萍碎
男主角阿什顿库彻食指优雅微屈，往下巴稍稍一扣，乔帮主的苹果江湖鸿鹄之志标志形象跃然纸上。号称献给不墨守成规的人群的《乔布斯》突破了思维定势，感官化还原导演眼中与世俗角度不同的乔布斯，不仅刷新大脑还充满商战桥段用人技巧。乔布斯的成功也与他用人策略有关，科技疯子的大脑里还藏着很多不为人知的东东，他绝非一人之力走向帮主地位，看《乔布斯》总结出四类最受乔布斯赏识的人才，可供对号入座：
第一类人才：胡言乱语，不走思维定势的人
影片的开头是年轻大学生创业，忽如一夜春风来，乔布斯与他的小伙伴在草坪上玩耍，便无限延伸想象力，创造出一台超越当时人们的想象空间的电脑主板。乔布斯本身就不是一个正常人，人至疯则无敌，他的眼神很聚光，但内心很疯狂，胡言乱语，经常语出惊人惊世骇俗，人们对之不理解加鄙视，偶尔有那么几个小伯乐对他的话题感兴趣愿意花片刻时间给他一点点机会他才得以走下去。大概处于英雄惜英雄，日后的乔布斯对这类胡言乱语天马行空的人才格外偏爱，他用人的重要原则就是看他能否讲出一些奇奇怪怪的话语，包括苹果公司面临破产他重返办公室当CEO，与富有想象力极致敏捷反应速度快的设计人员一拍即合，嘴角流露出一丝笑容。假如一个人支支吾吾，只会按部就班地工作，就得面临被乔布斯裁员的悲惨结局了。
第二类人才：不修边幅，性格随和，创造力好，脾气更好的人才
在乔布斯创业阶段，他亲自点名用人，运筹帷幄决胜千里，不出家门就先了解每位人才的特点，上班时间亲自上门钦点，这一段演起来很提神，那些懒懒散散不修边幅的创意技术人员都从边边角角以不同形态被“勾搭”出山，他们的主要特点不是工作成绩有多出色，而是无法棋逢对手将遇良才，因此浑浑噩噩蜗居于办公室一角。影片节奏感很强，一气呵成的乔布斯，刚毕业时的壮志凌云、两度兴衰才被世人认可的曲折，他特别能理解什么叫屈居人下的千里马，而他就扮演了伯乐，策略性地招兵买马大展宏图。他有过与合伙人闹掰的经历，因此选人方面尽量避开想法过于极端，能与自己契合，与自己对峙但不会死守江山的那种创意好合并脾气好的人才，作为管理人而言，没有什么比团结一心性格融洽更利于事业发展的规律。
第三类人才：大挖特挖与自己行业相去甚远但惺惺相惜的岗位稀缺人才
将卖糖水的挖来卖电脑，看似千差万别，其实恰好证明了乔布斯很巧妙地突破狭隘，找到了不同事物之间的共性，将工作划分的很清清楚楚，创造的人只管搞创造，至于销售渠道，教给销售高手来处理，量身定做，针锋相对地用人，因此他将当时闻名遐迩的百事公司的销售能人招来，以“流芳千古”为筹码，让他转型，纵使最后苹果面临破产时，董事会裁员，他又与好容易挖来的他决裂，给了对方一大笔分手费，做了一次残忍的领导。过程很扑朔很残酷，然商战就是这样，价值决定关系，要么两眼放光，要么修补情伤。《乔布斯》告诉我们，在一个岗位扎扎实实做成名人有么多重要，至少跳槽也跳的有方向感，被挖也挖的名垂千古。
第四类人才：有牺牲精神的审美大师
有时，乔布斯很神秘，他在人们眼里，商人的感觉似乎大于技术天才的成分，但他又兼具审美的特殊嗅觉，还是苹果不可替代的主心骨。在乔布斯精益求精的苹果宏图霸业过程中，他要将产品做到极致，简单、美观、超乎想象，影片注重细节，将电源做到轻飘飘无声无息，将音响置于电脑之中，将电脑制作到漂亮，与众不同，多么大无畏的想象力，而配合他完成这一系列创举的人才，必然要有牺牲精神，还要有高超的审美情趣，从颜色到形状，从不可能到可能，展开想象力，肆意驰骋，不能沦为其他同行那种中规中矩的境地。致敬给不墨守成规，致敬给不喜欢受条条框框束缚，致敬给边缘人群，这部电影实现的是让每个人都拾起信心的理念，成功不属于那些体制内的人才，更适应体制外偏才去逆袭，这就是乔布斯的用人原则。
人说江湖再无乔布斯，看完这部电影，我却觉得新乔布斯诞生不再是梦，不管你信不信。
《乔布斯》观后感(八)：《乔布斯》：美国合伙人已死
这本来应该是一个激励人心的传奇故事，结果整片下来，看得让人很不舒服。为什么？因为，导演过于把剧情聚焦在公司的人事纠纷上，使得影片从头到尾，对于乔布斯来讲，他的事业生涯就是一出悲剧，肯本看不出半点改变世界的激情澎湃。让人恍然大悟，当个美国合伙人，是件多么悲催的事情。没有信任，相互排斥，被踢出局，这些都是随时准备着的菜码。摸爬滚打流尽眼泪以后，你以为了解了游戏规则，其实，游戏才刚刚开始。如果你还不了解资本主义的游戏规则的话，此片是最好的教材。
当然，在阿什顿·库彻成为联想员工后，直接给杨元庆下跪的现实戏码，还是值得肯定和赞扬的。咱买不来真实的苹果团队，买通个扮演者来作秀还是绰绰有余的。要超越大牌公司，就先从拿下冒牌货开始吧！
《乔布斯》观后感(九)：清水一般的味道
首先，给三星只是因为Steve Jobs以及他的精神和偶尔还有点激励感的台词。然后，简单点评一下这部传记电影(个人先定义它是传记电影)的实际观感。
本人原著自传没有读完，大致的脉络知道 电影的故事从退学开始一直讲到iMac诞生(iPod仅在片头开场亮相了几分钟)。中间篇幅最大的是创办苹果的车库阶段以及后开Steve不断与股东和董事会鏖战的情节。个人觉得影片不如叫“如何在艰难中与董事会股东斗智斗勇”。从剧情安排来看，过于直叙，缺乏高潮，几个重点没有很好地凸显出来，比如：他如何传递自己的理念讲得很少，他对于产品研发的投入也只是蜻蜓点水，他回苹果后里程碑式的产品几乎都没提。感觉有点像开着高级越野车在高速公路一路狂奔乱撞，结果还没到重点路段快没油的感觉。
演员的演绎角度，库彻的脸还是七分相似的，演技真得一般。或者是，剧本没有给太多刻画Steve特质的机会。仅有的几次主要人物冲突都是在开人，被人开的部分。温情片段有几个，没有大所谓的(比如和女友)有点多余。创始团队的友情和后开的割裂倒是有不少不多的笔墨。
配乐，场景，光线都还算顺眼。传记式电影个人看重主要人物的性格塑造，人物间大事件与矛盾冲突的重点是否与无所谓的流水帐情节区分开来。显然这部片子在这方面做得一般。
对于Steve这样的传奇，要用120分钟演绎地精彩绝伦，还是客观现实点不要抱太大希望和期待。
《乔布斯》观后感(十)：《乔布斯》已尽量在还原本真
《乔布斯》已尽量在还原本真，这是导演认为最好的极限，不然也不会用这个剪辑版本面世。
在众多传媒报道后，乔布斯在世人的眼中，是狂躁、难以相处、不妥协、疯狂的极客，“偏执”甚至成为那一类信息产业成功者的代名词，比如比尔盖茨、马克扎克伯格，还包括在电影结尾处，乔布斯在广播中的招募者——“疯子”们，但也因此，在这些特性下，他们改变了世界。
电影开头是吸引观众的开胃菜。乔布斯一生中有三件产品是颠覆世界的，一个是苹果电脑，另一个是苹果手机，还有一个是不被国人看重的苹果音乐播放器，也就是电影开头处iPod的发布。（纯个人总结，内行请指点）
这样说吧，在iPod上市后，其他品牌的播放器基本上停产，对于这点音乐爱好者感受备深，又加之iPhone的音质改良后，大马路上随处可见的白线挂在胸前，你就懂了。
之后，故事线路跳到乔布斯大学已经退学，教授说服他去上自己有兴趣的课程，包括后期他与朋友去印度寻找信念和自我，这一段是“信念奠定期”，里面提到的书法课（是隐射乔布斯自创的字体造成的”电脑显示文字革命“，这快细节太复杂，就不细说了），泡了学书法的妹纸，还顺手牵了一点点“小东西”。里面有一段画面深刻地说明了乔布斯的理念是如何确定的——人与自然的关系，三个人躺在树下，（深深怀疑他们嗑了点从书法妹纸那拿得东西），乔布斯再一次听到自然的音韵，他在身体去感受大自然，也是后期他总喜欢光脚走路，在西方里有个概念，身体去抚摸大地，是最直观地感受自然，也表明潜意识里自己不愿意被束缚，多数人回家后会脱袜子，是一个道理。
第二段是苹果创业期，表现了乔布斯的敏感、狡黠、自私、勇敢和商业头脑的一面。如果在跟零售店老板讨价还价电板时，只是乔布斯商业头脑的小试牛刀，那之后跟迈克谈论APPLE I的投资，前期9万美元，后期加投25万美元的谈判时，就能体会到乔布斯的野心以及对自己未来道路该如何走的百分之百的确信，是的，他完全知道自己要做什么，因为他相信自己的眼光。
第三段，苹果发展期，APPLE II 和 LISA 系统的开发，最后乔布斯被赶出公司，也是乔布斯的挫败期。里面最直接的对比，是商人和开发者的矛盾，董事会主席亚瑟与乔布斯的理念不合：商人永远在想的是控制预算，销售商品，赚钱利润，而作为开发者，只想尽全力做出完美的产品，不在乎大几百万美元的投资，这也是最后乔布斯在“权利游戏”后的退出。
第四段，乔布斯回归，他变了。最大的变化是，他竟然承认丽萨是他女儿，并与初恋结婚，这条感情线非常平淡，但能说明他内心的纠结，在三人躺在树下那一幕中，乔布斯说“世界上哪会有人把婴儿当废物一样丢掉”，直到后来女友怀孕，他本能的拒绝面对这件事情，（他本人在接受采访时，隐晦提到自己的出生是有极大的羞辱感），再到丽萨给他写信，问何时能来看爸爸，他一步一步地在长大，也是最大的变化。
没有乔布斯的苹果股价一落千丈，如同现在的苹果，没有创新覆性的产品（看iPhone 5S 和 5C，不可否认地是，乔布斯是苹果的灵魂，不可取代。
电影中没有提到乔布斯的另外一段故事，是让我有些失望的，在动画电影界中，有家叫"皮克斯"的动画工作室，也是乔布斯创立的，它的成就，大家百度下皮克斯就知道，旗下发布的动画，没有你没看过的，并且也是大家耳熟能详的。
如果说要从这部电影里学到什么，那就是——创新，如何是创新，乔布斯的理解是：遵从人性，简单，完美，从一点一点的细节改变。
我们不能专挑着乔布斯性格上的缺陷或者缺点，而放弃对这部电影的整体审视，这对导演、编剧以及大众，太不公平了。